중국조선족 서신에 나타난 ‘화류(花柳)’ 키워드의 함의

• 영문명: The Implications of ‘Hwa-ryu( )’ Keywords in Chinese Chinese Letters
• 발행기관: 한국문화융합학회
• 저자명: 이주미(Lee Joomi)
• 간행물 정보: 『문화와융합』제43권 5호, 411~426쪽, 전체 16쪽
• 주제분류: 복합학 > 학제간연구
• 파일형태: PDF
• 발행일자: 2021.05.30

영문 초록

“Hwaryu( )”, found among the big data of Korean-Chinese correspondences, is small data but it is a meaningful keyword that can identify social and psychological sentiments of the period. Hwaryu was a word that referred to licensed quarters of the Japanese colonial period and ‘Hwaryu books’ mentioned in Korean Chinese correspondences for product requests are assumed to be gamuak textbooks used in in the past in gisaeng call-offices. Gisaeng call-offices were educational institutions that professionally and systematically taught traditional dance, folk songs, lyrics, and sijo. Before liberation, gisaengs were strongly viewed as prostitutes and harlots and they were often declared the principal offenders of moral corruption. From the early days of its establishment, China abolished the prostitution system along with polygamy, human trafficking, licensed and unlicensed prostitution, and gisaeng businesses. Amidst this, it strived to cultivate upcoming generations through entertainers who were formerly from gisaeng call-offices. Gisaengs became the principal transmitters of Korean traditional cultural art but they were also silenced because of their disreputable pasts. The extremely limitedly appearance of the keyword ‘hwaryu’ in correspondences of the Korean-Chinese is an effect of the socialistic remodeling pursued by the Chinese government and a sign of suppression.

목차

1. 서론

2. ‘화류’의 매소(賣笑), 매음(賣淫) 이미지

3. 화류계 근절과 권번 출신 예인의 인생행로

4. 문면의 집단정신과 이면의 침묵

5. 결론

키워드

Hwa-ryu(花柳) The letters of the Korean-Chinese Small data Gi-saeng Kwon-bun(a gisaeng calloffice)