한일 원폭문학에 나타난 ‘원폭처녀(原爆乙女)’의 비교고찰

• 영문명: A Study on the Comparison of the Atomic Bomb Literature in Korea and Japan: Focusing on the Young Female Victims of the Atomic Bomb of the Literature of Ota Yoko and Flower of the Scar of Kim Ok-sook
• 발행기관: 일본어문학회
• 저자명: 김경인(Kim, Kyoung-In)
• 간행물 정보: 『일본어문학』日本語文學 第96輯, 243~267쪽, 전체 25쪽
• 주제분류: 어문학 > 일본어와문학
• 파일형태: PDF
• 발행일자: 2022.02.28

국문 초록

This paper is to compare and analyze the aspects of the young female victims of the atomic bomb represented in the Japanese atomic bomb literature with those of the Korean atomic bomb literature. First of all, I looked at the representative works of Japan written about the female victims of the atomic bomb and compared the images of the young female victims of the atomic bomb in the works of Yoko Ota. Ordinary Japan’s atomic bomb literature typically represented that the young female victims of the atomic bomb were symbols of peace and anti-war, and they should be protected and understood. In contrast, I confirmed that Ota’s literature identified that the young female victims were struggling to endure their terrible life and fighting against the discrimination of society like a combatant. Meanwhile, Kim Oksook s novel, Flower of the Scar represented the female victims of the atomic bomb of Korea as the guilty to not only the society but also family, and they were symbolized as a human-being under the yoke of the atomic bomb as the retribution. They had no choice but to endure the lives of atomic bomb victims for their inherited children. It would be reasonable to suggest that ‘Bunhee’ of Flower of the Scar describes those who are fighting against the hell of the atomic bomb just only for protecting their children and following the Confucian concept that has been forced to the women in the Korean society.

영문 초록

本論文は、日本の原爆文学に表象されている原爆乙女と韓国の原爆文学においての原爆乙女の表象の様相を比較及び考察するためのものである。まず原爆乙女を中心として描かれた日本の代表的な作品としてどんなのがあるかを見て、それらに現れている原爆乙女のイメージと当時の社会的な談論はどうであったかを探った。それから大田洋子の作品においての原爆乙女のそれとを比較した。その結果、平和と反戦の象徴的な存在、それから保護と理解の対象として成り立てられた一般的な日本の原爆文学での原爆乙女とは違って、自分の悲惨な現実のなかでもがきながら辛うじて生きようと戦う可憐にありながら逞しい戦士と変わらないことが分かった。それに対して、金玉淑の『傷跡の花』の｢ブンヒ｣として描かれている韓国の原爆乙女の場合は、社会に対してだけではなく、家族に対してすら、罪人のように、原爆という業を背負いながら一生を貫く存在として表象されている。そんな｢原爆の地獄｣の最中でも彼らに生きる力になるのが、親である自分から原爆症を受け継がれた我が子である。その我が子を｢それでも生かすため｣で、また家族という絆を守るために、彼らは原爆地獄と闘っているということが、『傷跡の花』からよく読み取れる。

목차

1. 들어가며

2. 大田洋子의 원폭문학에 표상된 ‘원폭처녀(原爆乙女)’

3. 한국의 원폭문학에 표상된 ‘원폭처녀(原爆乙女)’

4. 나오며

참고문헌

키워드

조선인 원폭피해자 원폭문학 원폭처녀 상호텍스트성 Korean victim of the atomic bomb the atomic bomb literature young female victim of the atomic bomb intertextuality 朝鮮人原爆被害者 原爆文学 原爆乙女 相互テキスト性