Symboles et Signes des Sources Archéologiques: les Thèmes Iconographiques de Représentation Préhistorique dans la Corée

• 영문명: Symboles et Signes des Sources Archéologiques: les Thèmes Iconographiques de Représentation Préhistorique dans la Corée
• 발행기관: 한국고대학회
• 저자명: Sang-Mog LEE(이상목)
• 간행물 정보: 『선사와 고대』先史와 古代 25輯, 307~325쪽, 전체 19쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2006.12.01

국문 초록

  이 글에서는 주로 우리나라 신석기시대에서 청동기시대 사이의 유적과 유물들 속에 나타난 상징과 기호들을 분석하고, 제작시대와 그 변화양상에 대해 살펴보았다. 연구 대상은 크게 사실적인 형상과 추상적인 형상으로 구분 할 수 있으며, 이는 유적의 성격과 시대적 차이에서 비롯된 것으로 판단할 수 있다. 즉, 수렵채집경제 단계에 해당하는 신석기시대의 조형물에서는 사실적이고도 다양한 동물 표현물이, 농경단계로 진입하는 청동기시대에서는 특정한 주제의 새로운 추상적 표현물들이 나타난다. 이러한 분석을 통해서 상징과 기호 대한 사회경제적인 의미와 당시의 생활상의 변화를 추론하였다. 본 연구를 통하여 사실적인 형상은 신석기시대의 수렵어로 경제단계의 소산물로, 사냥꾼사회의 계절적 식량사원 취득과 생업활동을 잘 반영한 것으로 여겨진다. 반면 청동기시대에 접어들면서 새로운 양식의 형상들이 출현하게 되며, 매우 추상적인 주제(방패, 동심원, 검, 여성음부 등)로 한정되어 있다. 이러한 상징의 변화는 농경이란 새로운 생활방식과 사회구조의 변화에 매우 중요한 역할을 하였을 것으로 추론할 수 있다.

영문 초록

  In a context archeological, we can gather into two categories theme of representations prehistory: that is to say the representation naturalist is the abstract figuration. The sites that have naturalistic representations probably relate to an early, pre-agricultural way of life. Others seem later - agricultural - as, for example, the site linked to megalithic culture. They can be dated by a very few direct stratigraphic contexts and by linking their images to objects of known prehistoric date, although many of the figures art ‘abstract’ and cannot be dated that way. One can be dated indirectly, a plethora of whale and seal bones and harpoons from a nearby shell midden, that suggests the people who lived there 7,000 to 3,500 years ago. Others are found on megalithic formations, particularly dolmens and menhirs. A close correlation has been shown to exist between the distribution of archeological and symbolic sites in this case. These sites of engravings probably belong to the Bronze Age (between 1,000 and 300BC). According to this analysis, we can suggest certain conclusions on the level of cultural development reached, living conditions, religious observance, etc. We can distinguish at least two different stages; one of the fishing-hunting and the other of agriculture. The majority of the representations of animals by the populations of hunters-fishers are rather close to reality, while the farming populations had an abstracted art symbolic system. In the populations of fishers-hunters, the realism can have a high value symbolic system. On the other hand, the agricultural societies are limited to some geometrical figurations and arms: circles, vulvas, daggers, etc. The suggestion concerning chronology may be further substantiated through their relationship to context. Rock-art has had a function in society and will therefore relate in some form to social structure. In conclusion, one global response to the result of environmental and technological change has been a creative explosion for inspiration on cultures the world over; not only in technology, but also in the arts . In other words, the hunter-fishers’ rock-art tradition came to an end and the symbolic expression of a new economy and ideology took its place. A symbol functioned as an important agent in legitimizing and mediating status and inequality in a period of stressful social transition.

목차

【R？sum？】
Ⅰ. Introduction
Ⅱ. Les sites rupestres pr？historique
Ⅲ. Les th？mes iconographiques de repr？sentation pr？historique
Ⅳ. Soci？t？ agricole et m？galithisme dans la p？ninsule Cor？enne
Ⅴ. Conclusion
【Bibliographie】

키워드

Repr？sentation pr？historique Art rupestre N？olithique Age du Bronze p？cheur-chasseurs an agricultural people Cor？e Representation Prehistory rock engraving the Neolithic era Age of Bronze fishers-hunters farming Korea 선사 미술 암각화 신석기시대 청동기시대 사냥어로민 농경민 한국