동북아시아에 있어서 연극 춘향전 연구

• 영문명: A Study on the Drama Text Chunghyanjeon in North-East Asia
• 발행기관: 중동유럽한국학회
• 저자명: Min Byung Wook
• 간행물 정보: 『중동유럽한국학회지』Vol.16, 146~154쪽, 전체 9쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2016.05.30

영문 초록

This paper observed Singuk Keukyesulyounguhoe (The Society for Research in Dramatic Art), Kugdan Sinhyup, Minjok Gagug (North Korean contemporary music drama) selected to grape for the right direction of contemporary modern drama summarizing with a Performance-Sociological method, summarizing what we have observed until now as follows. 1) You, Chi-Jin transfered rural drama into historical drama to secure the audience and wrote . His drama, , have “meeting→love→part→hardship→rising in life→reward” in common structure and foreground the growth of people conscience and the conscience of contemporary social reality. 2) You, Chi-Jin foregrounded the growth of people’s conscience and the conscience of contemporary social reality under his believing dramatical audience don’t like the staying away from the outline of the play and adapted with the familizational strategy to the audience. 3) The performance of brings out the illusion effect making the audience believe the events in a play by far more realistic than actual real happenings in real life through the romantic way based on realism. 4) Recommended Jang, Heunk-Joo to write the drama to examine the first historical based on East Asian’s classic being in the harmony with Chosun’s traditional drama, Japanese traditional act Kabuki (歌舞技) and Japanese Singuk. 5) Jang, Heunk-Joo excluded the social circumstances or historical social reality related with ‘the love’ belong to the time in the creating the drama , just only foregrounding the love between Lee Mongryong and Chunghyanjeon as well as he appealed people’s taste with the melodramatic love between them by eliminating the contradiction of the historical social reality or the social system in adapting the drama. 6) Chonsanjiyei’s is performed to show the melodramatic love combining Kabukitic and Singuktic things. His producing failed by the contradiction both them. 7) Minjok Gagug is developed with the opera style of Chulrima (천리마) art and letters, ‘pibada’ revolutionary opera, (one of the well known North Korean music drama) the opera style of ChosunMinjokJeilJu(North Korean people superiority in the world) 8)《Chunhyanjeon》turns a pairs of lovers into the class struggle. 9)《Chunhyanjeon》turns affective plot of ‘meeting→ parting→ reunion’ affective plot into melodramatic structure of ‘provocation→ pangs→ penalty’. 10)《Chunhyanjeon》presents the delight of affection with the circulating plot. 11)《Chunhyanjeon》is the typical text as the struggle between the governing class and the governed class. 12)《Chunhyanjeon》makes the governing class as moral fallen. Finally Singuk is played in the process to accept the movement back to the traditional culture occuring in Chosun and Japanese performance world under the worldwide The National Socioalism in the late 1930’s. The performance show that the right direction of the contemporary modern drama is to gain audience

목차

1. 문제의 제기

2. 극예술연구회의 춘향전 공연전략과 수용관객

3. 일본 극단 新協의 춘향전 공연전략과 수용관객

4. 북한 민족 가극 춘향전의 공연 전략과 수용관객

5. 결론 및 앞으로의 문제점

참고문헌