HOW TO VIEW HALLYU 3.0 (K-CULTURE)?

• 발행기관: 중동유럽한국학회
• 저자명: An Nam Il
• 간행물 정보: 『중동유럽한국학회지』Vol.16, 7~16쪽, 전체 10쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2016.05.30

영문 초록

If a Hallyu (the Korean wave) stands for Korea communicating with the world and Korean’s distinct connoting global universality defining a concept of Hallyu is a matter of great concern. In other words, recency of cultural topography that is commonly called Hallyu wields strong influence over ripple effect. Therefore, this manuscript is about to examine about basic program which Hallyu3.0 must be finished, not about general classification scheme. To conclude, ‘how to view Hallyu 3.0 (K-Culture) resides in reconfiguration of frame. Thus, we have to restructure main value for new culture differently from existing frame of ROK (Republic of Korea). Yet, there’s no reason for Hallyu3.0 (K-Culture) not covering regionality. For sustainability and expansion of Hallyu3.0 (K-Culture) and securing both Asia cultural history’s value and global cultural’s universality, fusion frame ‘glocalization’ is required based on localization that can conjoin globalization naturally.

목차

Abstract

1. 서론: 한류, 그리고 문화

2. 문화적 우월감의 모순

3. ‘한류(Hallyu, the Korean Wave) 3.0’의 핵심 키워드, K-Culture

4. K-Culture는 ‘한국(문화)’을 반영하는가?

참고문헌

키워드

Hallyu1.0 Hallyu2.0 Hallyu3.0 the Korean Wave K-Culture localization globalization glocalization convergence frame