소대성전 창작 원리의 불교사상적 연구

• 영문명: The Study of the Tale of Soh Dae-seong Creation Principle on Buddhism
• 발행기관: 한국문학회
• 저자명: 김병권(Kim Byeong-Kweon)
• 간행물 정보: 『한국문학논총』제41집, 167~187쪽, 전체 21쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.12.01

영문 초록

This study aims to search the principle of being applied consistently to The Tale of Soh Dae-seong. First, I searched the principle of understanding the text by analyzing the dialogue between Soh Yang and an old Buddhist monk. In the dialogue, Soh Yang realizes that we can reach the reward of virtue by giving alms(dana) without staying at the "相"(nimitta, a distinctive mark). This means that dana is the cause and the reward of virtue is the effect. Therefore, The causal relationship between dana and the reward of virtue is one of the principles that could create The Tale of Soh Dae-seong. Second, I analyzed the whole life of Soh Dae-seong as the relationship between dana and the reward of virtue. Soh Dae-seong gives alms good to all human beings, and rises up against the oppression on all the people. He suppresses the attack of the invaders with the help of the supernatural existence whenever he undergoes bitter trials, coming to the throne of "魯". The fact that Soh Dae-seong, overcoming the difficulties, become a king can be interpreted as the reward of virtue for giving alms. Therefore, The Tale of Soh Dae-seong is the work in which Soh Dae-seong's whole life is developed depending on the causal relationship between dana and the reward of virtue. Third, I interpreted the whole life of Soh Dae-seong in relation to The Diamond Sutra. According to The Diamond Sutra, dana, acquirable with the elucidation of Dharma is more valuable than the reward of virtue, acquirable with the giving of property. The whole life of Soh Dae-seong serves to explain the value in The Diamond Sutra that we can attain the holy way by seeing nimitta as what is not nimitta. Therefore, The Tale of Soh Dae-seong is the work created as the means of explaining readers Buddhism.

목차

Ⅰ. 서론

Ⅱ. 소대성전 읽기의 내재적 원리

Ⅲ. 布施와 福德의 인과 구조

Ⅳ. 작품의 爲人演說的 의미

Ⅴ. 결론

참고문헌