동아시아의 근대와 근대 지식인

• 영문명: The Modern Era of East Asia and Modern Intellectuals - Natsume Soseki, Luxun, and Lee, Kwang-Su
• 발행기관: 일본어문학회
• 저자명: 안영희(An Young Hee 安英姬)
• 간행물 정보: 『일본어문학』日本語文學 第71輯, 355~380쪽, 전체 26쪽
• 주제분류: 어문학 > 일본어와문학
• 파일형태: PDF
• 발행일자: 2015.11.30

영문 초록

This paper examined the modern perception of intellectuals and according resolutions through the novels by Natsume Soseki as an intellectual of empire, Lu Xun as an intellectual of semi-colonial and Lee, Kwang-Su as an intellectual of colony. The intellectual of empire Natsume Soseki criticized modern civilization in his novel 『I Am a Cat』. In his novel 『Kokoro』, he portrayed the Meiji spirit namely, intellectuals faithfully fulfilling imperialism. Lu Xun conveyed the message of urging to face the reality rather than turning away from it through spiritual victories in his novel 『The True Story of Ah Q』. In his novel 『A Madman's Diary』, he was afraid of becoming an intellectual who resists against tradition but eventually becomes frustrated and compromises and hope to be otherwise. Lee, Kwang-Su portrayed an intellectual who educates and enlightens the general public after learning Western knowledge. In his novel 『Moojeong』, an intellectual enlightened the general public through education and it was actualized in 『The Soil』. While Natsume Soseki expresses criticism of civilization and imperialism indirectly, Lee, Kwang-Su expresses the subject of enlightenment forthrightly while Lu Xun expresses the subject of revolution suggestively. The direction of modernization of the three writers varied in regards to criticism of civilization and imperialism by Natusme Soseki, revolution by Lu Xun and enlightenment by Lee, Kwang-Su. However, the ultimate goal of modernization was the same. Their direction of modernization was actualized through their novels. この論文では帝国の知識人である夏目漱石、半植民地の知識人である魯迅、植民地の知識人である李光洙と彼らの小説を通して知識人の近代認識とその解決方案について検討した。 帝国の知識人である夏目漱石は『我輩は猫である』で近代文明を批判し、『こころ』では明治精神、すなわち帝国主義を充実に移行する知識人を描いた。魯迅は『阿Q正傳』で精神勝利という方法で、現実をそむけないで、現実を見つめなければならないというメッセージを伝えた。また、彼は『狂人日記』を通して、伝統に抵抗するが結局は挫折し、妥協する知識人を描いた。李光洙は『無情』で知識人が教育を通して一般民衆を啓蒙し、『土』で具体化した。夏目漱石は文明批判と帝国主義を迂回的に、魯迅は革命という主題を暗示的に、李光洙は啓蒙という主題を直接的に表現した。 夏目漱石は文明批判と帝国主義、魯迅は革命、李光洙は啓蒙という近代化に対する方向は違ったが、近代化という究極的な目的は同じであった。彼らは東アジアの近代の方向を彼らの小説を通して具体化した。

목차

要旨

1. 들어가며

2. 제국의 근대지식인 나쓰메 소세키 -『나는 고양이로소이다』

3. 반식민지의 근대 지식인 루쉰 -『아Q정전』

4. 식민지의 근대 지식인 이광수 -『무정』 『흙』

5. 나오며

참고문헌

키워드

동아시아 근대 지식인 나쓰메 소세키 루쉰 이광수 East Asia Modern Intellectuals Natsume Soseki Luxun and Lee Kwang-Su 東アジア 近代 知識人 夏目漱石 魯迅 李光洙