배경설화에서 본 <구지가>와 <해가>의 선후관계 해명

• 영문명: Clarification of the precedence relationship between “Gujiga” and “Haega” Viewed as a narrative backdrop
• 발행기관: 한국언어문학회
• 저자명: 변숙자(Byeon, Sook-ja) 현승환(Hyeon, Seung-hwan)
• 간행물 정보: 『한국언어문학』第126輯, 191~219쪽, 전체 29쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2024.03.30

영문 초록

This study starts from the question of the sequential relationship between the two songs, based on the relationship between “Gujiga” and “Haega” shown in the tale of King Suro of Gaya in “Garakgukgi” and Lady Suro of Silla in “Surobuinjo” recorded in “Samgukyusa”. To state the conclusion in advance, I would like to reveal that “Haega” is more ancient than “Gujiga”. It is said that “Haega” was sung during the reign of King Seongdeok of Silla, so the temporal distance from“Gujiga” to “Haega” is a whopping 700 years. The main focus is to understand what changes have occurred in the process of transmission of the two songs. The foundation is found in the methodology of historical folklore. The purpose is to find meaning by comparing the changes in folklore 700 years ago and 700 years later. In this article, we attempted to explain the sequential relationship between “Gujiga” and “Haega” based on folkloristic evidence related to the historical change process of the “Gimhae” region, which is the regional background of “Garakgukgi”, and the ancient marriage ritual and Ritual for wishing for a child. Based on the findings of the research, it can be asserted that “Haega”, originating from the belief in the marine realm, predates “Gujiga” which amalgamates beliefs in the sea and the subsequent celestial domain.

목차

1. 서론: 문제제기

2. 문헌기록 과정으로 본 <구지가>와 <해가>와의 관련성

3. ｢가락국기｣와｢수로부인조｣에나타난 해양타계신앙

4. 해양타계신앙에 근거한 <구지가>와 <해가>의 선후관계 해명

5. 결론

키워드

｢가락국기｣ ｢수로부인조｣ <구지가> <해가> 혼인의례 기자의례 해양타계신앙 “Garakgukgi” “Surobuinjo” “Gujiga” “Haega” marriage rite Ritual for wishing for a child Oceanic Afterlife Faith