현대 화예디자인의 하이브리드 경향에 관한 연구

• 영문명: A Study on the Hybrid Tendency in the Contemporary Floral Art Design
• 발행기관: 한국조형디자인학회
• 저자명: 이헌국(Lee, Heon-Guk) 서혜정(Suh, Hye-Jeong)
• 간행물 정보: 『조형디자인연구』한국공예논총 제10집 1권(1-1), 1~27쪽, 전체 27쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2007.08.15

영문 초록

Recent decade tea garden attention actual condition of culture rapidity is accelerated back at communication time of culture and art and the culture and art of each person get up a interaction with each other and the style is mixed, the guard of style is happening is dissolved new culture actual condition The art gets up a interaction with each other and the style is mixed, the guard of style is happening is dissolved new culture actual condition. To background of like this actual condition the thought system of post modernism it comes and that the attache it does not do, it comes to seem and the post wool ten thought place this the tea garden attention is pursued with consciousness leads a hybrid at once and the motive power which goes out will be the possibility of doing. Consequently like this time flows even from adapt contemporary flower art design that form or method of the work which is expressed also the style to be mixed, the actual conditions where the guard is dissolved are appearing. The hybrid art activity due to a tea garden attention did not exist in existing and it knows and, with union, juxtaposition and reiteration With makes is new to pursue the thing of existing that it makes the fact that it is new in the aspect which does to sleep and it appears as the hybrid which will reach concept anger it makes. It Jacques Derrida by specially and the Intertextuality which is one concept of deconstruction theory design sensitivity and the appearance which are expanded infinitely a many effect to be doing to be possible, today the place where it widens the territory of flower art it gives. All texts where also the flower art is different consequently from dimension of a kind of text and it is combined and the work the creativity in the only characteristic substitution from between hybrid practice is born again with creativity. With like this us culture, with tea garden anger actual condition of art and guard dissolution of style for one style different style it is strict and distinction it comes to be impossible to make, this flower art design where the fine arts in 20 century changes with versatility also the expression form and subject matter change suddenly, they come to be various, from the concept which the flower arrangement of meaning which space application is narrow has petty flower art design of broad sense namely, as art, as craft, as design, attribute as culture epoch-making development they are seeming repeatedly with character. Only inside the style which is one flower art with the subject matter which the flower art design with the formative arts of spatial-temporal for will ask consequently naturally the stage fine arts where is not the fact that it searches an expression territory, stage fine arts, fashion design, mix media and photograph art, interior, the Installation fine arts, light art, developing the hybrid objection of the expression which becomes other style and grafting, it is doing. Become with grafting of this it tried to relate from, work the expression forms which post modernism to do a deconstruction theory specially in base and the expression form which has become other style and grafting and to interpret with the hybrid direction which will reach and it is to sleep to understand to do.

목차

Ⅰ. 서 론

Ⅱ. 현대 화예디자인과 하이브리드현상

Ⅲ. 현대 화예디자인의 하이브리드 경향

Ⅳ. 결 론

참고문헌

키워드

hybrid Pluralism Deconstruction visual communication Intertextuality Floral Design Post modernism