단청의 장식미에 관한 연구

• 영문명: Study on the beauty of Danchung - Necessity of reinterpretation of Danchung -
• 발행기관: 한국조형디자인학회
• 저자명: 이헌국(Lee, Heon-Kook) 김완주(Kim Wan-Ju)
• 간행물 정보: 『조형디자인연구』한국공예논총 제10집 1권(1-1), 1~18쪽, 전체 18쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2007.08.15

영문 초록

"Dan-Chung" is said to be the magnificent decorations with various colorful patterned paintings upon each sections of Wooden architecture. In the view points of modern design arts. Dan-Chung is systematically classified into the aggregate of variety signs and symbols and accomplishment of Korean traditional images. (Dan-Chung is regarded as the treasury of design arts and also regarded the future of design arts) Dan-Chung is not only the treasury of design arts but also the future of design arts. Dan-Chung as the archetype of Korea traditional paintings, absolutely does not fall behind the modern abstract fine art, in balance, proportion, bold colors, etc in the Value of aesthetic. - 3 - In other aspects, Dan-Chung's refined abstract beauty and Imaginative faculty which is transcend time and space, and overwhelm accomplishment of the Western abstract fine art in the sense of value, in this treatise, Dan-Chung's aesthetical accomplishment and potentiality which is grow up diversionary, are investigated, regardless of the painter's intentions. Dan-Chung in it's patterns already comprehend the whole universe. Dan-Chung which is observed in it's patterns and colors can be defined Vernacular object or Vernacular design, Vernacular designs's domain does not encompasses only architecture and interior space, but also furniture and crafts. In the history of the art style, architecture and decorative art can not be separated in an inseparable relation. From Ruskin and Morris' Arts and Craft movement, to Art Nouveau, Art Deco, Bauhaus, all the important trend and modality in epoch making crafts history comprehend this tendency in principle. In considerations of Dan-Chung's process of transition and development in it's modality Art Nouveau and Art Deco's critical strategies can be mentioned. At about the same time of the twentieth Century, Art Nouveau compared all the fields of design (from fashion to graphic) for more than twenty years. In comparison with Art Nouveau and Art Deco's stylistical characteristics and those of Dan-Chung. It is easily comprehended that Dan-Chung has much more diverse images. For example when we see the Dan-Chung's representative patterns of the decorative painting on the heads of girder or the eaves of a building. It is seems that an Art Nouveau modality has been exactly reproduced. Dan-Chung's variety colorful gold patterns have similar stylistic characteristics of Art Deco. Dan-Chung's Various patterns and Colors can be considered as the Vivid textbook of semiotics, in the mist of those patterns and colors, particularly, the role of Dan-Chung as a symbol should be noted. The masters of Dan-Chung usually says that the nature itself is the Dan-Chung. Even without their maintenance, when we see the patterns that is handed down until now, it is easily understood that Dan-Chung is a treasure house of symbolism, the 21st Century is usually considered as the age of culture. In that context, the assertion that the tradition itself is the best cultural product of the 21st century can be persue that can be modified and used in diversity is very important Dan-Chung represent those motifs. Although it is being different concepts and realm. The crafts and designs are in intimate relationships mutual intimate relationships of crafts and designs can be found in Dan-Chung. Dan-Chung will be the unlimited resources of craft design.

목차

Abstract

Ⅰ. 서 론

Ⅱ. 본론 - 단청미학의 개념

Ⅲ. 결론 - 21세기 한국문화의 원형

참고문헌

키워드

semiotics motif archetype decorative culture