본문 바로가기

추천 검색어

실시간 인기 검색어

학술논문

소설과 영화의 창작방법론 비교분석 - 〈벌레 이야기〉와 〈밀양〉을 중심으로

이용수 752

영문명
Comparing and Analyzing the Creative Methodology of Fiction and the Cinema - Focused on the story of worm and Secret Sunshine -
발행기관
어문연구학회
저자명
최수웅(Soo-wung Choi)
간행물 정보
『어문연구』語文硏究 第54輯, 481~503쪽, 전체 23쪽
주제분류
어문학 > 한국어와문학
파일형태
PDF
발행일자
2007.08.30
5,560

구매일시로부터 72시간 이내에 다운로드 가능합니다.
이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.

1:1 문의
논문 표지

국문 초록

영문 초록

  This paper would compare and analyze the creative methodology focused on fiction, the story of worm by Chung-Jun Lee and a movie, Secret Sunshine by Chang-Dong Lee. Fiction and the cinema have commonness in the aspect of having story. On the other hand, as we observed before, they are definitely different points of view such as creator, medium, scene construction, description, narration and dividing unit of storytelling. Therefore, it is clear that each genre, fiction and the cinema is a independent field which has a different value.
  An important point will be the feature of interaction between fiction and the cinema. Since a movie was created, fiction has had a role of story bank. However, it looks problematic for a motion picture to use fiction story directly. In order to transform fiction story into the screen, it should be adapted according to the medium. This difference is caused not only simple part of technique but also whole part of creative methodology to storytelling.
  As we know, creative methodology does not build by itself, but it could systemize through continued interaction of the new technique of other fields. Fiction and the movies also have developed each other through interaction. In the beginning, a film accepted the symbol, hint and underplot of a novel. Similarly, a novel received the technique of montage and others from a film. Such interaction looks continuously increased in the future. This is the main reason why researchers keep trying to compare and analyze the creative methodology of fiction and the screen. However, such interaction does not always bring about positive results.
  This is because an indiscreet acceptance will make the identity of each genre unclear. It will gain the value while a novel maintains the character of letters. Also, the screen will acquire originality while it applies the character of an image.
  Comparing and analyzing the creative methodology of fiction and the screen in this paper have been researched on the basis of such recognition of limitation. The interaction between the two genre will be possible as long as they maintain their own identities. Therefore, the difference between two genre will be presented clearly through comparing work, and their identities also will be definitely indicated.
  Finally, as a researcher have more valuable discussion with many works from now on, more practical creative methodology will be produced. Furthermore, it is expected that this study is likely to be applied to fiction and the screen writing, and creative education field.

목차

1. 소설과 영화의 상관관계
2. 소설과 영화의 창작방법론 비교
3. 결론:창작방법론 비교의 의의
참고문헌
Abstract

키워드

해당간행물 수록 논문

참고문헌

교보eBook 첫 방문을 환영 합니다!

신규가입 혜택 지급이 완료 되었습니다.

바로 사용 가능한 교보e캐시 1,000원 (유효기간 7일)
지금 바로 교보eBook의 다양한 콘텐츠를 이용해 보세요!

교보e캐시 1,000원
TOP
인용하기
APA

최수웅(Soo-wung Choi). (2007).소설과 영화의 창작방법론 비교분석 - 〈벌레 이야기〉와 〈밀양〉을 중심으로. 어문연구, 54 , 481-503

MLA

최수웅(Soo-wung Choi). "소설과 영화의 창작방법론 비교분석 - 〈벌레 이야기〉와 〈밀양〉을 중심으로." 어문연구, 54.(2007): 481-503

결제완료
e캐시 원 결제 계속 하시겠습니까?
교보 e캐시 간편 결제