학술논문
소설과 영화의 창작방법론 비교분석 - 〈벌레 이야기〉와 〈밀양〉을 중심으로
이용수 752
- 영문명
- Comparing and Analyzing the Creative Methodology of Fiction and the Cinema - Focused on the story of worm and Secret Sunshine -
- 발행기관
- 어문연구학회
- 저자명
- 최수웅(Soo-wung Choi)
- 간행물 정보
- 『어문연구』語文硏究 第54輯, 481~503쪽, 전체 23쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2007.08.30
5,560원
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국문 초록
영문 초록
This paper would compare and analyze the creative methodology focused on fiction, the story of worm by Chung-Jun Lee and a movie, Secret Sunshine by Chang-Dong Lee. Fiction and the cinema have commonness in the aspect of having story. On the other hand, as we observed before, they are definitely different points of view such as creator, medium, scene construction, description, narration and dividing unit of storytelling. Therefore, it is clear that each genre, fiction and the cinema is a independent field which has a different value.
An important point will be the feature of interaction between fiction and the cinema. Since a movie was created, fiction has had a role of story bank. However, it looks problematic for a motion picture to use fiction story directly. In order to transform fiction story into the screen, it should be adapted according to the medium. This difference is caused not only simple part of technique but also whole part of creative methodology to storytelling.
As we know, creative methodology does not build by itself, but it could systemize through continued interaction of the new technique of other fields. Fiction and the movies also have developed each other through interaction. In the beginning, a film accepted the symbol, hint and underplot of a novel. Similarly, a novel received the technique of montage and others from a film. Such interaction looks continuously increased in the future. This is the main reason why researchers keep trying to compare and analyze the creative methodology of fiction and the screen. However, such interaction does not always bring about positive results.
This is because an indiscreet acceptance will make the identity of each genre unclear. It will gain the value while a novel maintains the character of letters. Also, the screen will acquire originality while it applies the character of an image.
Comparing and analyzing the creative methodology of fiction and the screen in this paper have been researched on the basis of such recognition of limitation. The interaction between the two genre will be possible as long as they maintain their own identities. Therefore, the difference between two genre will be presented clearly through comparing work, and their identities also will be definitely indicated.
Finally, as a researcher have more valuable discussion with many works from now on, more practical creative methodology will be produced. Furthermore, it is expected that this study is likely to be applied to fiction and the screen writing, and creative education field.
An important point will be the feature of interaction between fiction and the cinema. Since a movie was created, fiction has had a role of story bank. However, it looks problematic for a motion picture to use fiction story directly. In order to transform fiction story into the screen, it should be adapted according to the medium. This difference is caused not only simple part of technique but also whole part of creative methodology to storytelling.
As we know, creative methodology does not build by itself, but it could systemize through continued interaction of the new technique of other fields. Fiction and the movies also have developed each other through interaction. In the beginning, a film accepted the symbol, hint and underplot of a novel. Similarly, a novel received the technique of montage and others from a film. Such interaction looks continuously increased in the future. This is the main reason why researchers keep trying to compare and analyze the creative methodology of fiction and the screen. However, such interaction does not always bring about positive results.
This is because an indiscreet acceptance will make the identity of each genre unclear. It will gain the value while a novel maintains the character of letters. Also, the screen will acquire originality while it applies the character of an image.
Comparing and analyzing the creative methodology of fiction and the screen in this paper have been researched on the basis of such recognition of limitation. The interaction between the two genre will be possible as long as they maintain their own identities. Therefore, the difference between two genre will be presented clearly through comparing work, and their identities also will be definitely indicated.
Finally, as a researcher have more valuable discussion with many works from now on, more practical creative methodology will be produced. Furthermore, it is expected that this study is likely to be applied to fiction and the screen writing, and creative education field.
목차
1. 소설과 영화의 상관관계
2. 소설과 영화의 창작방법론 비교
3. 결론:창작방법론 비교의 의의
참고문헌
Abstract
2. 소설과 영화의 창작방법론 비교
3. 결론:창작방법론 비교의 의의
참고문헌
Abstract
키워드
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