울진 방언 가사문학 작품 ≪유람일기≫의 운율의 분석적 연구

• 영문명: A Study On the Metrical System of the Gasa Literary Work written in Uljin Dialect
• 발행기관: 어문연구학회
• 저자명: 강흥구(Heung-gu Gang)
• 간행물 정보: 『어문연구』語文硏究 第54輯, 31~80쪽, 전체 50쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2007.08.30

영문 초록

  In this paper, I studied the metrical system of Gasa literary work with the form of an old Korean verse" written and recited by a Uljin native speaker. The major metre of Uljin dialect is tone. Therefore, In this research, I was focusing on the tonemic pattern(/side-dot pattern) of the tonemic patterns of the feet of the work and it"s construction. The name of this work is a Travel Diary through Korean Noted Places.
  This Gasa was written and recited by Madam Jeongnam Ju, a Uljin native speaker, about in 1994. Uljin is a county to the east coast of Korea belonging to Gyeongbuk Province.
  This Gasa consists of 262 lines, and each lines, four feet with four syllables.
  The first and third foot of each line is stressed(sounded loud-voiced), and the second and fourth are unstressed.( a little weak.) The last syllable of each foot was lengthened with a falling pitch.
  Each foot consists of a tonemic pattern usually, but two in some case. When a foot consists of two tonemic patterns, it has the structure of phyungchuk pattern#chukseong pattern, phyungchuk pattern#phyungchuk pattern, phyungseong pattern, #chukseong pattern, chukseong pattern# phyungchuk pattern, or chukseong pattern#chukseong pattern, but not phyungseong pattern# phyungseong pattern or phyungseong pattern# phyungchuk pattern. And in the structure of A pattern#B pattern, A pattern has to be pronounced in the strong pitch form, be B pattern in the weak one.
  Uljin dialect is three-tone system: an unmarked plain "pyeonseong" (□), two marked tones, geoseong "departing tone" ( □) and sangseong "rising tone"(:□). In the case of four-syllable foot, there are 6 side-dot patterns: 4 pyeongcheuk(/complex) patterns (□□□□, □□□ □, □□ □ □, □ □ □ □) one geoseong pattern( □ □ □ □) and one sangseong(:□ □ □ □). Therefore n-syllable foot has n+2 side-dot patterns ― n pyeongcheuk patterns, one geoseong pattern and one sangseong(:□ □ □ □).
  The reason why these kinds of side-dot patterns are restricted so strongly is because of the strong neutralizing force of the two marked tones and the weak neutralizing force of the plain tone affecting the following syllable.

목차

1. 머리말
2. 가사문학 작품에 대한 선행 연구
3. 현장 낭송 자료에 의한 실질적인 운율의 분석
4. 중화 현상과 성조 및 성조형
5. 음조 실현 규칙
6. 가사 문학 작품의 운율 분석
7. 맺음말
참고문헌
〈Abstract〉
【부록】

키워드

Gasa Literary work Uljin Dialect Tone Rule of neutratralization Side-dot pattern(Bangjeom)tonemic pattern Rule of sound realization