춘향과 심청의 축제적 성격 고찰

• 영문명: A Study on the Festive Characteristics of Chunhyang and Simcheong
• 발행기관: 한국언어문학회
• 저자명: 김수중(Kim Sujung)
• 간행물 정보: 『한국언어문학』한국언어문학 제56집, 73~92쪽, 전체 20쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2006.02.01

영문 초록

A festival for traditional culture of region includes the modern aspect of transfiguration of literature. The fact that the literature of Pansori was changed into a festival is the result of process which heroines' names, such as Chunhyang and shimcheong find their levels with life force as existing men through transmission of performers, participation of Confucianists, performance of novels and korean classical operas in voice exorcism. Therefore, Chunhyang and Shimchenog are literary characters and also have festive lives. Pansori is not a literary genre for festivals. However the origination of Pansori is being related to the ritual, and we cannot exclude that Chunhyang passed through a process of voice exorcism in particular. This Pansori grew into an item of Stage Play through performers and it derived participation and response of the audience, creation of a sense of unit among local residents and, by extension, embarked on a new phase of national festival. Chunhyang is being a model of a festival for traditional culture of region taking advantage of a firm regional background in Namweon. Chunhyang festival that began arousing national spirit during Japan’s colonial rule of Korea boasts experience of seventy five times fairly. Chunhyang gives social pleasure to us as a heroine of national literature, creates a sense of unit among a nation, leads festive characteristic of Pansori, and contributes to revitalization of local economy and globalization of literature. Shimcheong held festivals six times in Gokseong but didn’t eliminate a doubt whether this region is still Shimcheong’s birthplace. The historical research isn’t perfect yet to break down a fixed idea that it’s Hwangju in Hwanghae-do. And the heavy themes like ‘filial piety’ and ‘virtue-oriented consciousness’ don’t promote commercial applications as festivals so much. From this point of view, Chunhyang and Shimcheong are festive characters based on the literature of Pansori, while there’s a wide gap between their characteristics in the nature of tradition, region, commerce that modern festivals should satisfy.

목차

Ⅰ. 시작하는 말

Ⅱ. 지역전통문화축제의 특성과 현장

Ⅲ. 판소리와 판소리계소설의 축제적 성격

Ⅳ. 맺는 말

참고문헌

Abstract

저자소개