학술논문
歌舞戱로서의 呈才에 대한 硏究 - 「鶴·蓮花臺·處容舞 合設」을 중심으로 -
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- 영문명
- Characteristics of Classical Plays of Korea
- 발행기관
- 한국언어문학회
- 저자명
- 한옥근(Han Okkun)
- 간행물 정보
- 『한국언어문학』한국언어문학 제56집, 149~167쪽, 전체 19쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2006.02.01
5,080원
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국문 초록
영문 초록
Korea has a long history of five thousand years. This presentation is about the kinds, contents and forms of Korean classical plays. There are five types of classical plays, that is, a Gamuhee, a mask play, a pupet play, Pansori, and a Changgeuk, which are formed throughout the long history.
The plays were performed as aristocratic arts from B.C.900 to A.D 1700 and from A.D. 1800 they were transformed into common people’s arts.
Formal characteristics of Korean classical plays are their combination of song, dance and play. The contents of these plays whose themes are loyalty, faith and filial piety were satires about noblemen and Buddhists.
A Gamuhee was performed in the Royal Court, which was expressed a combination of song, dance and play. The theme is wishes for King’s health and long-life and nation’s prosperity. It was given for a king, civil officials and military officials. Large governmental ceremony was held to celebrate a king’s enthronement and birthday, a queen’s birthday, and to welcome envoys from abroad.
Mask plays which were formed in the middle of Lee Dynasty had expressed the theme through satire and dance about aristocrats, buddhists, people’s poverty and bitter feelings.
Puppet plays which were formed in the later Lee Dynasty had also expressed the theme through satire and music. The theme is satire about aristocrats and politicians, people’s poverty and bitter feelings.
Panssori which was formed in the later Lee Dynasty had expressed the theme which is filial piety through songs, dialogues, action and encouragement of audience.
Changgeuk which was formed in the later Lee Dynasty. Changgeuk is similar to western opera. Changgeuk is the classical opera of Korean style. It separated from Pansori and developed into a stage play. Therfore Changgeuk has the same themes and contents as Pansori.
In conclusion, the classical plays are composite arts in which people’s feelings and customs are included. Korea has had the classical plays that we have never seen in other Asian countries. So this paper has a particular significance on the study of Korean artistic identity.
I will explain briefly the contents of the typical Korean classical plays through video.
1) Gamuhee (3/90)minutes.
Play formed in the early Lee Dynasty. (A.D. 1200)
Expressed through combination of song, dance and play.
Theme is wishes for King’s health and long life and nation’s prosperity.
2) Mask play (3/60)min.
Play formed in the middle of Lee Dynasty. (A.D. 1500)
Expressed through satire and dance.
Theme is satire about aristocrats and buddhists, people’s poverty and bitter feelings.
3) Puppet play (3/30)min.
Play formed in the later Lee Dynasty (A.D. 1600)
Expressed through satire and music.
Theme is satire about aristocrats and politicians, people’s poverty and bitter feelings.
4) Pansori (3/180)min.
Play formed in the later Lee Dynasty. (A.D. 1700)
Expressed through song, dialogue, action and encouragement of audience.
Theme is filial piety.
5) Changgeuk (3/90)min.
Play formed in the modern ages. (A.D. 1900)
Korean-style opera expressed through song, dialogue and music.
Theme is love and chastity.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
Abstract
저자소개
키워드
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- 춘향과 심청의 축제적 성격 고찰
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- 일제강점기 재만 조선인 이주문학 연구 - 이주·정착과정의 시적 형상화를 중심으로 -
- 歌舞戱로서의 呈才에 대한 硏究 - 「鶴·蓮花臺·處容舞 合設」을 중심으로 -
- 한국언어문학회 회칙 외
참고문헌
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