조선 후기 예술과 '豪'의 미학

• 영문명: The Arts of the Late Choson Period And the Aesthetics of Ho 豪 or "Unrestraint"
• 발행기관: 한국언어문학회
• 저자명: 신은경(Shin Eun-kyung)
• 간행물 정보: 『한국언어문학』한국언어문학 제54집, 181~210쪽, 전체 30쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.06.01

영문 초록

This article intends to examine the aesthetic characteristics of the arts of the late Choson period. This issue presupposes that the aesthetic characteristics of a certain age has a close relationship with the spirit of the times. A brief survey of literature notably the saseol sijo and the yadam, music, dance, and painting of the time reveals that these artistic forms have some salient features in common: a free-spirited mind, impromptu style in composition and performance, and artistic expressions based on sensuousness and materialism. This article clarifies that ho or "unrestraint" can constitute an aesthetic term to cover all of these features. With the exploration of the origin of the word "ho" and a historical ground that the "ho" can be placed in the boundary of aesthetics, the aesthetic connotation of the word is elaborated in section Ⅱ-3. As an aesthetic consciousness, the ho's characteristics can be described as follows: first, it is an aesthetic type born of the principle of the yang, that is, masculinity, second, it is an aesthetic product of an extroverted mind toward the world which derived from the explosion of inner vitality and energy, third, it is an aesthetic consciousness based on an untrammelled mind that refuses any fixed frame and regulation, fourth, it is an aesthetic type that is intimately related to materialism. Finally, in section Ⅲ, it is articulated that how various artistic forms of the late Choson period such as the saseol sijo and the yadam, folk music, pungsokhwa or "genre painting," and the talch'um or "mask dance" embody the aesthetic characteristics of "ho."

목차

Ⅰ. 조선 후기의 시대정신과 미의식의 상관성

Ⅱ. 조선 후기의 지배적 미의식으로서의 '豪'

Ⅲ. 예술장르에 따른 '豪'의 전개양상

Ⅳ. 남은 문제

참고문헌

Abstract