염洛風 漢詩의 주제 표출 양상

• 영문명: The Modes of Expression in the Main Subject of Yeom Rak-pung's Chinese poetry
• 발행기관: 한국언어문학회
• 저자명: 김영봉(KIm Young-bong)
• 간행물 정보: 『한국언어문학』한국언어문학 제54집, 93~114쪽, 전체 22쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.06.01

영문 초록

'Yeom Rak-pung's Chinese poetry' is a concept that especially designates the Chinese poetry, which has the main subject of embodying the spirit of the way for the Confucianism. In terms of Yeom Rak-pung's Chinese poetry, a great number of works can be understood a meaning without such a big difficulty, but given some works, there is also a case that is hard to be understood at all only by the contents of a letter. Like this, what experiences the difficulty sometimes in understanding Yeom Rak-pung's Chinese poetry is attributable mainly to a method that expresses the main subject. A method of expressing the main subject in Yeom Rak-pung's Chinese poetry, can be mostly classified by about three kinds. It comprises, first, the indicative mood that expresses a thing as it is, second, a metaphor that indirectly expresses compared with a different thing or phenomenon, and third, symbolism that expresses by quoting a completely different thing, with hiding the original conception. What makes Yeom Rak-pung's Chinese poetry difficult to be understood, corresponds to a case when especially having used symbolism. That is because of representing the high-level spiritual world with the highly symbolized expression. As much as a method of expressing the main subject by a symbol, is difficult for the interpretation of 'symbol,' it is not easy to find out the main subject only with the poetry itself. A great number of works have even a case that needs to grasp the main subject by what about a writer's inclination. Namely, it needs to be applied a method of 'historical-biographical criticism.' The evaluation of Yeom Rak-pung's Chinese poetry is largely crossed the sight of affirmation and contradiction. What sees the value negatively, seems to be just attributable to paying attention only to the indicative mood among methods of expressing the main subject. It is because, given the indicative mood, there are many cases that indicatively express instruction as if having moved one phrase in the sacred book. However, in case of a work that used the technique of a metaphor and a symbol, it is equipped with higher-level beauty of poetic expression, thus it is not the nature that simply lowers its value. Particularly, in case of having expressed the main subject with the technique of a symbol, it is fully succeeding even in achieving the beauty of poetic expression with the higher-level rhetorical technique as well as being faithful to a Confucianist's inborn function that the poetry needs to contribute to the enlightenment of world.

목차

Ⅰ. 머리말

Ⅱ. 염洛詩의 전통과『염洛風雅』

Ⅲ. 염洛詩의 주제에 대한 이해

Ⅳ. 염洛詩의 주제 표출 방법

Ⅴ. 맺음말

참고문헌

Abstract