해방기 오장환의 시와 시론

• 영문명: Oh, Jang-hwan's Poetry in the Era of Independence
• 발행기관: 한국언어문학회
• 저자명: 최명표(Choi Myoung-pyo)
• 간행물 정보: 『한국언어문학』한국언어문학 제54집, 411~433쪽, 전체 23쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.06.01

영문 초록

This study is to find out the qualities of Oh, Jang-hwan's poetry in the era of independence. Appearing in the poetry world in 1930's, he replaced the volition of independence suppressed because of colonial extreme situation with credible poetic expression. In other words, what he wanted to get is not the future but aesthetic realities. In short, disappointed with colonial realities, he made poetic the symbols of illness and corruption. During the era of independence, he placed the love of nother above his own faith and chose to remove thought. It was a son's natural choice who couldn't deny the order of human beings represented by the meaning of mother. He couldn't help taking the unnatural position of a man calling his mother under the umbrella of the red flag. Therefore, most of his poems written in this period contain internal complications to the situation of the time. His poetic consciousness came to have the frustrated appearance confronting new realities of the truth of self-criticism, which was a disturbance in internalizing the theories of communist. One of the main qualities found in Oh, Jang-hwan's poetry in the era of independence is that there is criticism for the lack of tradition but it is not the negative mind against tradition. Although he insisted on the way of literature for human beings, he sang for abnormal life. This caused him to tend to the imperfection of thought and the poetic theory of tradition well shown in his political poems. He decreased the political burden by renewing the wealth of Kim, So-wol's poems and, at the same time, checked his poetic area.

목차

Ⅰ. 서 론

Ⅱ. 갈등과 모색과 선택의 시학

Ⅲ. 결 론

참고문헌

Abstract