百年來元代少數民族劇作家與作品研究的審視與思考

• 발행기관: 중국인문학회
• 저자명: 羅海燕 林承坯
• 간행물 정보: 『중국인문과학 』제64집, 257~275쪽, 전체 19쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2016.12.30

영문 초록

The Yuan Drama is the first peak in the history of Chinese drama。The study of Yuan Drama began in the 1930s,but the studies on the minority mriter`s drama were confined to the life of the writer for a long time.Until the 80's,the study of the NuZhen Shi Junbao,Li Zhifu and the Mongolian Yang Jingxian`s Yuan Drama had realized a multi-directional breakthrough.However,on the whole,after the completion of the writers'life and writings at the end of the 20th century,the study of minority mriter`s drama in the Yuan Dynasty seems to have been in a bottleneck period,the main performance is that researchers pay more attention to the writer's research and works Research,and no one study the perspective of the script from the stage performance.There are two main reasons for this:first,since the 21st century,the focus of scholars has gradually shifted from the Yuan Drama to the Yuan poetry and prose;the second is that the researchers did not get a greater innovation in the academic concept.

목차

Ⅰ. 引言

Ⅱ. 女真劇作家石君寶及其雜劇研究

Ⅲ. 女真劇作家李直夫及其雜劇研究

Ⅳ. 蒙古劇作家楊景賢及其雜劇研究

Ⅴ. 結語

키워드

Yuan Dynasty minority mriter’s opera the review