조선족 연극 <삼노인(三老人)>의 민족적 양식 고찰

• 발행기관: 대한중국학회
• 저자명: 박노종
• 간행물 정보: 『중국학(구중국어문론집)』中國學 第49輯, 215~236쪽, 전체 22쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2014.12.30

영문 초록

'Samnoin' is a style of theater that have been made to developed in Yanbian Korean Autonomous Prefecture since 1950. It provides that this theater shall be upheld the traditions of 'Shuochang(說唱)' by a theater of minority race in China, even if this is a the exclusive possession of Chinese citizens of Korean ethnicity. The reason we notice this 'Samnoin' is that having been upheld traditional play of our people in modern times. Nonetheless, Government of China have placed in a file all of minority race's traditional art and culture of play, will make to revert to China tradition recently. 'Samnoin', also, was designated as The Second National level-nonmaterial cultural heritage in 2008. Thus, we need to examine concretely literary significance showing in 'Samnoin'. and through this, we need to measure off the map of the dramatic art.

목차

1. 들어가며

2. 삼노인 극화의 형성과정

3. 삼노인 연희의 특징

4. 나오며

참고문헌

Abstract

키워드

"Samnoin" Chaoxianzu's play the national form Korean's theater XiangSheng comic storyteller