김수장의 김천택 시조 수용에 대하여

• 영문명: Sujang Kim’s Acceptance of Cheontaek Kim’s Sijo
• 발행기관: 한국언어문학회
• 저자명: 김선기(Kim, Sun-kee)
• 간행물 정보: 『한국언어문학』韓國言語文學 第83輯, 145~179쪽, 전체 35쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2012.12.31

영문 초록

Cheontaek Kim and Sujang Kim were in a senior-junior relationship, walking the same path during a similar period in the Korean sijo (three-verse Korean poem) literature history. Cheontaek Kim published ‘Cheong-Gu-Young-Ean’by compiling his sijos and passed-down sijos in 1728. From his own works, he carefully selected and included 30 sijos that intensively show his life. Sujang Kim carefully selected already existing sijos and his own sijos, and published a collection of sijos called ‘Hae-Dong-Ga-Yo’ over two times. In ‘Hae-Bak’ in 1755, he assigned a certain number of works of each artist to be included, however, in 1767 in ‘Hae-Ju’, he did not put limits on the number of works to include. Sujang Kim exhibited his desire to exceed the achievements of Cheontaek Kim by publishing ‘Hae-Ju’. As a result of deleting unnecessary partsfrom Cheontaek Kim’s works in ‘Cheong-Gu-Young-Ean’ and publishing such works in ‘Hae-Ju’, 16 sijos were exchanged to new sijos, and Sujang Kim did not hesitate on criticizing Cheontaek Kim’s sijos. In addition, Sujang Kim showed confidence by including 117 of his own sijosin ‘Hae-Ju’, which is a significantly higher number than the 57 sijos of Cheontaek Kim. In addition, by drastically revising Cheontaek Kim’s sijos when accepting the works, he expected to lower Cheontaek Kim’s status while enhancing hi sown. Sujang Kim’s insight in selecting sijos shown when selecting Choentaek Kim’s sijos receive a positive response from compilers, as shown by the frequency of citation in future poet compilations. However, including a significantly higher number of one’s own works in a book published by oneself while arbitrarily fixing another’s works fitting to one’s own taste will not be able to evade the criticism that such act was an excessive overstep of one’s authority.

목차

Ⅰ. 서론

Ⅱ. 김천택의 청구영언 편찬의식과 자작시조 30수

Ⅲ. 김수장의 김천택 시조 수용

Ⅳ. 김수장의 김천택 시조 개변

Ⅴ. 결론

〈참고문헌〉

[Abstract]

키워드

김천택 청구영언 김수장 해동가요(해박ㆍ해주) 수용 개변 김천택시조발 농암집 sijo Sujang Kim Cheong-Gu-Young-Ean Hae-Dong-Ga-Yo Hae-Ju Hae-Bak acceptance fix and convert exchange