임화와 종로

• 영문명: Lim, hwa and Chong-no
• 발행기관: 한국문학회
• 저자명: 허정(Heo Jung)
• 간행물 정보: 『한국문학논총』제47집, 257~288쪽, 전체 32쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2007.12.30

영문 초록

  This research analyzed about relation of Lim, hwa and Chong-no. The result is as following.
  Late 1920s Chong-no, national liberation sports sprang up strongly under socialist"s leading. "Sunee of crossroads" is materializing well these point.
  In the 1930s, Chong-no undergoes a change to colony capitalistic place. evolutionary passion of young mans disappears in Chong-no. Instead, crowds which lose soul to sight culture that do spectacle in Chong-no overflow. "In crossroads again" is materializing well these point.
  Lim, hwa should recover passion of revolution after release. And Lim, hwa should start newly as socialist in Chong-no. However, need to see past action Doedolikyeo to cope properly at real. Because of this point, Lim, hwa was hesitating without jumping to Chong-no crossroads in "September 15".
  In Lim, hwa"s work, Chong-no was place that elicit his actuality awareness or practice. According to change of age, Chong-no"s appearance changed. Accordingly, Lim, hwa"s attitude changed. But, viewpoint as socialist was kept consecutively within such transfiguration. So this research analyzed how Chong-no materialized in Lim, hwa"s work. Through this, this research cleared transfiguration and consecutiveness of Lim, hwa"s phenomenon concretely. This is sense of this research.

목차

Ⅰ. 서론
Ⅱ. 1920년대 후반의 종로, 민족해방운동의 중심 장소
Ⅲ. 1930년대 중반의 종로, 이식 자본주의 소비문화의 장소
Ⅳ. 해방기의 종로, 머뭇거림과 용기의 장소
Ⅴ. 결론
참고문헌
〈Abstract〉

키워드

임화 종로 사회주의자 민족해방운동 스펙터클 해방기 Lim hwa Chong-no Socialist National liberation exercise Spectacle Release flag