영상 기법을 통한 백석 시의 공간 설정에 관한 연구

• 영문명: The study of space in Baek Seok"s poems
• 발행기관: 어문연구학회
• 저자명: 박종덕(Jong-deok Park)
• 간행물 정보: 『어문연구』語文硏究 第55輯, 395~417쪽, 전체 23쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2007.12.30

영문 초록

  The purpose of this paper is to study "space" with screen technique in Baek Seok"s poems. Especially I studied Baek"s four poems, Namshinuiju Yudong Park Si-bong"s room, Noodles, wooden vessel, and There is a white windy wall with shot, mese-en-scene and scroll. The meanings of the various Spaces studied in letter text weren"t clear but they are distinct in screen technique. So I tried to study "space" with screen technique which is not embodied in the poetic statement.
  First, I studied Namshinuiju Yuodong Park Si-bong"s room with shot. I think shot is the tool not only showing the writer"s reality and the plot of text in the writer"s side but also explaining the text in detail in the reader"s side. "Sky" researched by shot in Namshinuiju Yuodong Park Si-bong"s room is the space showing the communication between the universe and human. As the poetic language "wife", "house", "parents" is the significance of earth-real, so the poetic language "buckthorn tree" is the significance of the communication with the universe. Though "buckthorn tree" stands on the ground, it longs for the sky, for it spreads branches toward the sky. As you know, "buckthorn tree" is the significance of the communication with the universe, the possibility of the reading like this is embodied by shot.
  Second, I used mese-en-scene in Noodles and wooden vessel. mese-enscene is the technique meaning the setting of the character or the space in screen. "a kitchen" and "warehouse" studied by mese-en-scene in Noodles and wooden vessel are not only a historical space connecting the present and the past but also the universal space-time. "storeroom" that keeps the wooden vessel is described as the house. The house is the corner of us, the space of the universe and the core of the universe structure. If someone can communicate with the universe through the house, the wooden vessel as mese-en-scene can be a very important tool connecting the past, the present and the future. Therefore the wooden vessel is the tool communicating with the future and the object communicating with the universe.
  Lastly, "wall" investigated by scroll in There is a white windy wall is the space looking at the poetic speaker"s whole life and anticipating his future life. "wall" is the symbolic space representing the speaker"s past and present and the narrative space dreaming of the recovery of family community. Also, the speaker repents his life through the wall and decides to live the new life. Consequently, the screen of the wall shows the speaker"s whole life and presents his decision firmly.
  Like this paper, I know that the role of the space in Baek Seok"s poems is very similar to that of the space in screen. Accordingly, this screen technique embodies the poetic speaker"s feature and reveals the feature of the image in Baek Seok"s poems very clearly.

목차

1. 들어가는 말
2. 쇼트를 통해 설정된 ‘하늘’의 우주지향성
3. 미장센을 통해 설정된 ‘부엌’과 ‘고방’의 우주적 삶의 소통
4. 시퀀스와 스크롤로 설정된 ‘벽’을 통한 의지의 조망
5. 나오는 말
참고문헌
Abstract

키워드

Space Screen technique Shot Mese-en-scene Scroll Poetic speaker Image Uuniverse