토니 모리슨의 『빌러비드』에서 흑인 문학 전통 읽기

• 영문명: Reading the African American Literary Traditions in Toni Morrison's Beloved
• 발행기관: 한국영미문학교육학회
• 저자명: 문상영(Sahng Young Moon)
• 간행물 정보: 『영미문학교육』영미문학교육 제7집 2호, 115~140쪽, 전체 26쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2003.12.01

영문 초록

This paper attempts to read Toni Morrison's Beloved by identifying the African American literary traditions reflected in the text, Beloved needs to be read in conjunction with those African American literary texts that preceded and influenced Morrison's text, In Beloved, Morrison signifies or revises various "lropes" borrowed from both the oral and the written African American literature, As Henry Louis Gates, Jr, elaborates in The Signifying Monkey, "signifying" indicates a form of intertextual revision, by which texts establish their relation to other texts, and authors to other authors, In this sense, Morrison signifies on many well-known antebellum slave narratives as well as early African American novels written by both male and female authors, In particular, Zora Neale Hurston plays a crucial role in bridging the gap between the nineteenth-century African American female authors and those of the late twentieth century, Hurston's influence on Morrison's novel cannot be overemphasized, Hurston, in Their Eyes Were Watching God, signifies on the slave narratives written by Frederick Douglass and Harriet Jacobs, while Morrison, in Beloved, signifies on Hurston's seminal text, As a writer, Morrison focuses on recovering the literary traditions of African American women and speaks for all those black women who are 'disremembered and unaccounted for."

목차

1. 들어가며: 강의실에서의 『빌러비드』

2. 노예제와 『빌러비드』: "기억"의 의미

3. 19세기 흑인 노예 설화(slave narrative)

4. 19세기 미국 흑인 소설

5. 허스턴(Zora Neale Hurston)과 흑인 여성 문학의 전통

6. 나오며: 백인 담론으로부터의 해방

참고문헌

Abstract