The Speculation of Conceptual Art : The “Dematerialization of Art” Phenomenon and the “End of Art” in the 1960s

• 발행기관: Korea Institute for Humanities and Social Sciences(KIHSS)
• 저자명: ZHANG Zimeng LIU Zhihao
• 간행물 정보: 『Journal of Global Arts Studies (JGAS)』Vol.3, No.1, 152~161쪽, 전체 10쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2025.03.31

국문 초록

[Background] In the 1960s of Europe and America, the styles of art were diverse and showed a strong “decentralization” trend, among which the “dematerialization of art” was particularly important. [Objective] This paper aims to deeply analyze the philosophical implications of conceptual art in the contemporary era. [Method] Taking the phenomenon of “dematerialization of art” as the starting point and combining it with Danto's theoretical perspective, this paper explores the art philosophical issues triggered by conceptual art and engages in speculation on Danto's assertions and pluralism. [Results] The study finds that conceptual art emphasizes the core value of a work shifting from the sensory level to the intellectual level, posing philosophical questions about the nature of art, weakening the framework structure assigned to art itself, and striving to make art more diversified. [Conclusion] Conceptual art plays a role in promoting artistic innovation within the context of art. This issue will continue to spark debates in the present and even the future.

목차

1 Introduction

2 The Meaning of “Dematerialization of Art”

3 The Philosophical Issues of Conceptual Art—Re-examining the Definition of Art

4 Art Criticism in Conceptual Art

5 Conclusion

References

키워드

Dematerialization of Art End of Art Lucy Lippard Arthur Danto