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학술논문

Innovation and Cross-Border Integration: New Media Technology Empowers Dance Performances

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영문명
발행기관
Korea Institute for Humanities and Social Sciences(KIHSS)
저자명
Linfu Xi Ayijiamali Wubulihasimu A. Oyuntungalag
간행물 정보
『PROCEEDINGS of the International Conference on Cultural Integration and Artistic Innovation』Vol.1, 370~382쪽, 전체 13쪽
주제분류
인문학 > 기타인문학
파일형태
PDF
발행일자
2024.12.31
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국문 초록

With the rapid development of new media, the use of new media technology in dance performances has led to artistic changes. This article explores the multi-dimensional expansion of new media technology on dance performances from the interpretation of new media theater dance, installation dance to virtual dance, and reveals the innovative way in which new media breaks the boundaries of traditional dance performances and creates a new artistic experience. Analyzing the categories and characteristics of new media technology in current stage performances and clarifying the role of technology in improving all aspects of dance performances can better understand the forefront of dance art, help look forward to the future trends of new media dance, study and research the scientific use of new media technology in dance art, and transform theoretical research into practice.

영문 초록

목차

1 Introduction
2 Categories of New Media Technologies and Types of Dance Performances
3 Characteristics of New Media Technology in Dance Performance
4 The Role Of New Media Technology In Dance Performance
5 The Development Trend of Dance Performance Under New Media Technology
6 Conclusion
References

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APA

Linfu Xi,Ayijiamali Wubulihasimu,A. Oyuntungalag. (2024).Innovation and Cross-Border Integration: New Media Technology Empowers Dance Performances. PROCEEDINGS of the International Conference on Cultural Integration and Artistic Innovation, 1 (), 370-382

MLA

Linfu Xi,Ayijiamali Wubulihasimu,A. Oyuntungalag. "Innovation and Cross-Border Integration: New Media Technology Empowers Dance Performances." PROCEEDINGS of the International Conference on Cultural Integration and Artistic Innovation, (2024): 370-382

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