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학술논문

Digitally Enabled Heritage Artefacts: From Traditional Collections to Digital Art Assets

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영문명
발행기관
Korea Institute for Humanities and Social Sciences(KIHSS)
저자명
Xing Yin
간행물 정보
『PROCEEDINGS of the International Conference on Cultural Integration and Artistic Innovation』Vol.1, 343~357쪽, 전체 15쪽
주제분류
인문학 > 기타인문학
파일형태
PDF
발행일자
2024.12.31
4,600

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국문 초록

Digital empowerment of cultural relics and works of art not only promotes conservation and inheritance, but also gives rise to a digital art market. Blockchain, virtual reality, augmented reality, 3D scanning and artificial intelligence technologies have shifted the traditional collection to digital art assets with both cultural and economic values, bringing new opportunities to the art field. 3D scanning improves restoration accuracy, VR broadens viewing channels, blockchain guarantees transaction transparency, and artificial intelligence assists in the interpretation of collectibles and analysis of price trends. The value of digital art assets is highlighted, and copyright protection, value assessment and transaction regulation have become the key to management. This paper outlines the evolution of the role of cultural relics and works of art, analyzes the effectiveness of the application of digital technology in protection, restoration, display and trading, and emphasizes the market value and management methods, and proposes the future research direction.

영문 초록

목차

1 Introduction
2 The Application of Digital Technology in Cultural Relics and Artefacts
3 From Physical Collection to Digital Art Assets
4 Challenges and Opportunities for Digital Art Assets
5 Future Development Trends and Prospects
6 Conclusion
References

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APA

Xing Yin. (2024).Digitally Enabled Heritage Artefacts: From Traditional Collections to Digital Art Assets. PROCEEDINGS of the International Conference on Cultural Integration and Artistic Innovation, 1 (), 343-357

MLA

Xing Yin. "Digitally Enabled Heritage Artefacts: From Traditional Collections to Digital Art Assets." PROCEEDINGS of the International Conference on Cultural Integration and Artistic Innovation, (2024): 343-357

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