明代古琴“仙翁”调弦法研究

• 영문명: A Study on the Tuning Method of Xian Weng in Ming Dynasty Guqin
• 발행기관: YIXIN 출판사
• 저자명: Yu Rui Chen Zonglin Ma Fangfan
• 간행물 정보: 『Journal of Humanities and Social Sciences』Vol.2 No.6, 17~22쪽, 전체 6쪽
• 주제분류: 사회과학 > 교육학
• 파일형태: PDF
• 발행일자: 2024.12.31

국문 초록

“Xian Weng Tuning” is a commonly used tuning method for the guqin, which first appeared in the Ming Dynasty in the “Tuning into the Alley” of “Rebuilding the True Piano Score”, which was made by Yang Biaozheng with the sound of the song as the tuning, and later developed into an independent qin song “Xian Weng Cao” in the Qing Dynasty. In the process of the spread of the tuning method in the Ming Dynasty, the way of tuning the strings and the connotation of the rhythm of the qin have changed. Proved in the present, the “Xianweng tuning” method has the practical significance of changing the single pattern of the current guqin tuning method.

영문 초록

“仙翁调弦”是古琴常用的调弦方法，最早出现在明代《重修真传琴谱》的“调弦入弄”中，由杨表正以曲代声为调弦所做，后清代发展为独立琴曲《仙翁操》。该调弦法在明代的传播过程中，其调弦方式、琴律内涵均发生过变化，审之于律学，可知明代存在着“五度相生”、“纯律”等多重律制变化。证之于当下，“仙翁调弦”法又有着改变当下古琴调弦方式单一格局的实践意义。

목차

Ⅰ. 引言

Ⅱ. “调弦入弄”：“仙翁”调弦法的成因

Ⅲ. 明代“仙翁”调弦法的记谱流变脉络

Ⅳ. “仙翁调弦”的律学内涵

Ⅴ. 结语

키워드

“Xian Weng Tuning” Tuning into the tune Piano rhythm Yang Biaozheng “仙翁调弦”；调弦入弄；琴律；杨表正