각색의 미학과 정치학

• 영문명: Aesthetics and Politics of Adaptation: Mixture of Styles and Production of New Meanings in the Adaptation from Shakespeare’s The Taming of the Shrewd to Akhtar’s The Who and the What
• 발행기관: 한국영미어문학회
• 저자명: 홍은숙(Eun Sook Hong)
• 간행물 정보: 『영미어문학』영미어문학 제131호, 201~219쪽, 전체 19쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2018.12.31

영문 초록

Adapting the wedding stories of both The Taming of the Shrew and Mohamed and his seventh wife Zaynab, Ayad Akhtar approaches the similarities and singularities of gender politics between the Renaissance period and the Islamic society in The Who and the What. With the intertextual dialogism between the two different cultures at its focus, this study examines the aesthetics of adaptation which refers to the production and reception of a new meaning for Islam in the hypertext. Borrowing the dialogue, “not to bestow my youngest daughter before I have a husband for the elder” from the hypotext, Akhtar seeks ‘equivalences in meaning’ and matches ‘narrative codes’ with the hypotext. With ‘the mixture of styles’ such as comedy, satire, and tragedy, and ‘novel within a play’ which has resonance of Shakespeare’s famous ‘play within a play’, Akhtar represents resistance of the subject which is veiled and/or erased in the hypotext.

목차

Abstract

1. 머리말

2. 두 결혼 이야기에 나타난 내러티브 코드와 의미의 등가성

3. 극중극과 극중소설

4. 스타일 혼합과 각색 전략

5. 맺음말

인용문헌

키워드

각색 미학 의미의 등가성 스타일 혼합 내러티브 코드 정치학 새로운 의미 생성 adaptation aesthetics equivalences in meaning mixture of styles narrative codes politics production of new meaning