안나 아흐마토바의 서사적 욕망

• 영문명: The Narrative Desire of Anna Akhmatova
• 발행기관: 충북대학교 러시아 알타이지역 연구소
• 저자명: 박선영(Park Sun Yung)
• 간행물 정보: 『러시아학』러시아학 제14호, 29~54쪽, 전체 26쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2017.02.28

영문 초록

It is generally accepted that А. Akhmatova gradually transformed from the real lyric poet to the poet with epic characteristics. But, indeed, poetess’s narrative desire was particularly noticeable in her earliest lyric poems. Her early lyrical poems are characterized as “small novels”(N.N. Ventcel), “small novels, short stories”(V.M. Zhirmunsky), “novels-miniatures”(V.V. Gippius), “lyrics-novels”(B.M. Eikhenbaum). Breathing the spirit of time and hearing “the voice of time”, she, who had written miniature-poems with the internal and lyrical events, began to pay attention to the external and epic events of the world. In this paper we attentively examine characteristic features of the early and late epic poems of Akhmatova ― Epic Motives (1913-1915), Near the Sea (1914), The Tale of the Black Ring (1917-1936), Northern Elegies (1921-1964), Requiem (1935-1940), The Way of all the Earth (1940), Poem without a Hero (1940-1942) ―, paying attention to important and interconnected concepts-ideas such as the lyrical and epic narratives, autopresentation and self-narrative, metanarrative, syuzhet(polt).

목차

서론

Ⅰ. 초기 서정시에 나타난 슈제트적 특성

Ⅱ. 아흐마토바의 서정적 서사시의 내러티브적 특성

결론을 대신하여: 끝나지 않은 서사적 욕망

참고문헌

Abstract

키워드

아흐마토바 서사 자기서사 슈제트 서정적 서사시 바닷가에서 주인공 없는 서사시 Akhmatova narrative self-narrative syuzhet plot lyric epic poem Near the Sea Poem without a Hero