젠더 관점에서 바라본 강은교의 여성적 시쓰기

• 영문명: Kang Eun-kyo's Feminine Poetry Writing Viewed from a Gender Perspective
• 발행기관: 한국언어문학회
• 저자명: 김지연(Kim Ji-yeon)
• 간행물 정보: 『한국언어문학』韓國言語文學 第86輯, 223~249쪽, 전체 27쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2013.09.30

영문 초록

In this study, based on the premise of feminine poetry writing in the comprehensive meaning without being limited to political orientation, the meaning of otherness shown in Kang Eun-kyo's poems and its overcoming process as well as intention are reviewed. First, although the poet realizes the 'otherness' applied to her, she doesn't show any hostile opposition toward the specific objects causing it. She serenely reflects on and accepts her 'otherness' as that of female gender, without painting cut its cause or forming a confrontational position with the outside. Secondly, 'seeking the elixir of life to resole Father' is the content of symbolic rite of passage, providing the example of Biridegi as a way of overcoming otherness. In this, Biridegi shows that she aspires toward a direction tofu co-operative and coexistent with the existing order by accepting her assignment actively rather than expressing a grudge toward her father, King Ohm, who abandoned her. Thirdly, the poet recognizes 'the subject' and 'the other' as fluid concepts of changing into and interfering with each other. By applying this concept to that of gender, the poet dispels the prejudice and division of 'the subject' and 'the other'. In addition, by integrating feminine principals into the gender role as she proposes, she expands the concepts of 'the subject' and 'the other' into a basis of alternative ontology which ultimately makes it possible for them to coexist.

목차

1. 머리말

2. 버려진 육체와 주변적 자아

3. 타자의 길, 능동적 통과제의

4. 주체의 죽음과 창조적 상생

5. 맺음말

<참고문헌>

[Abstract]

키워드

여성적 시쓰기 주체 타자 타자성 통과제의 젠더 feminine poetry writing the subject the other otherness rite of passage gender