미술계의 시스템을 이해하는 방식과 한국의 현실

• 영문명: A Way To Understand The System of Art-World and The Reality of Korea
• 발행기관: 한국예술종합학교 미술원 조형연구소
• 저자명: 유진상(Yoo, Jin-Sang)
• 간행물 정보: 『Visual』vol.4, 18~30쪽, 전체 13쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2007.02.28

영문 초록

We are very familiar with the term “Art-World” to designate the system in which Art is produced, circulated and converted into some value that is capital for its raison-d’etre. In fact, the “System of Art-World(let’s say “SA” as its abbreviation)”, in its essence, is a system of "evaluation" and "valorization" of some unknown contents that artworks produce in the complex process of exchange among its players. It is very important to understand actual SA in the global situation to make sense to each artistic activity and its results. It urges us to examine what is the proper meaning of artistic production and its evaluation and circulation. Artistic production is, above all, a production of its value. So is the art evaluation and its circulation. “Artistic value” must first be considered as the objective of SA. We are defining contemporary art also as this. In Korea, where the SA is not yet properly perceived as contemporary one, that is to say, a very complex and challenging system of producing, evaluating and circulating artistic values, it is often misunderstood as just a conventional process of treating given artworks as decoration or tradition or occasion of making money that actually it is not. So arise the necessity to describe proper SA thai especially young artists should understand to catch up with the current problems of creation not only in Korea but also in the global world.

목차

Ⅰ. 서론

Ⅱ. ‘미술계의 시스템System of Art-World : 이것을 SA라고 부르기로 한다’의 이해

Ⅲ. 결론 - 한국에서 SA를 어떻게 볼 것인가?