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• 영문명: Nabokov’s Ontological Thought in His Writing and Reading: Metafictional Ontology in Pale Fire
• 발행기관: 한국영미어문학회
• 저자명: 현정환(Hyun, Jeong Whan)
• 간행물 정보: 『영미어문학』영미어문학 제99호, 63~87쪽, 전체 25쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2011.06.30

영문 초록

The purpose of this study is to examine how Nabokov collapsed the conventional reality in Pale Fire. Like the term metafiction, he regards the totality of the meaning in fiction as an ideological product, trying to overthrow it by using double meanings in the narrative. His doubleness is a very efficient device, in which he makes us follow cause and effect narrative line, and he reverses the effect into the cause rule. Then, he makes two narrative lines meet each other. He traces how the early established facts break into the meaningless events in the text. The effects of the collision of two narrative lines are very big impact on Western monoism of epistemological attitude toward ontology. The consequences of the collision in text itself break the early well-established values of literary conceptions. The existence of the major components is undergoing the uneasy status. In the middle of this course, the totality of meaning of the text is not allowed to become fixed. At the result of this, the major components are not able to be fixed. They are only floating in text, which is making the text absent of being. The absence advances to epistemological recognitions in which the true reality is not acquired by ideological metaphysics, but by a self-sufficient system of correlational components.

목차

Ⅰ. 들어가며

Ⅱ. 상호텍스트

Ⅲ. 주체와 타자의 혼융의 담론

Ⅳ. 시간과 공간

Ⅴ. 드러난 작가와 은폐된 작가

Ⅵ. 생성의 텍스트와 게슈탈트 경험의 독자

Ⅶ. 드러남과 빔의 기저

Ⅷ. 나가며

인용문헌

Abstract

키워드

존재론 메타픽션 미메시스 상호텍스트 담론 게슈탈트 리얼리티 ontology metafiction mimesis intertextuality discourse gestalt reality