부르크하르트의 미술사 연구와 역사인식

• 영문명: Burckhardt's Art Historyand Historical Understanding
• 발행기관: 한국사학사학회
• 저자명: 최영태(Choi, Young-Tae)
• 간행물 정보: 『한국사학사학보』제13권, 119~151쪽, 전체 33쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2006.06.30

영문 초록

Burckhardt recognized the 19th century as the age of crisis. He also thought that new historical view and a method of study were needed to overcome the crisis. That was why he denied the method of a rigid historical material criticism by Ranke, which was a dominant method of historical study in the 19th century of German. At that time Burckhardt thought that a method of historical study ought to meet the ideology of scientific and industrial development to cope the change of the times. So, his emphasis was rather placed on the interpretation and the expression of historical material than discovering and examinating the genuineness of it. Also he had concern for the background and the idea of the times in historical material. For him, understanding the times was more important than describeing it. It seemed that his view was different from the method of cultural history at that time, but similar to historical view by Humbolt. Perhaps more than any other cultural artifact, the genre of historical painting best articulated the aesthetic preferences of the desire to express great historical moments, as well as its openly didactic politicization. Realism had found its most potent form of expression. However, according to Burckhardtat least, the overwhelming passion for realism was made at a cost; in its name idealism was sacrificed, and the harmony which characterized the truly sublime spirit of individual creativity was lost. He regarded an ideal historian as a person who has sensitivity and imagination for understanding what was its true mature. Burckhardt's historical study connected with not history for study but history for education of the public. Needless to say, his aim was not ro make the public meet the needs of the times but to restore their lost sensitivities and imaginations in the process of industrialization inspired them again. So his lecture continued in Pedagogium, and he was sure that a study of high-class culture was the proper subject of preserving humanistic culture.

목차

1. 머리말

2. 부르크하르트와 미술사 연구

3. 19세기 미술사조와 부르주아 사회 비판

5. 부르크하르트 미술사 연구의 특징

6. 맺음말

키워드

부르크하르트 치체로네 르네상스 미술사 쿠글러 역사화 Burckhardt Cicerone Renaissance art history Kugler history Painting