한무숙 소설의 멜로드라마적 성격 연구 - 〈석류나무집 이야기〉의 사랑의 형태와 의미를 중심으로

• 영문명: A Study on Melodramatic Characteristics in Han Moo-sook"s Novel - Focusing on type and meaning of love in A Story of Pomegranate Tree House -
• 발행기관: 한국문학회
• 저자명: 이호규(Lee Ho-Gyoo)
• 간행물 정보: 『한국문학논총』제44집, 425~450쪽, 전체 26쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2006.12.01

영문 초록

  This paper is to examine how the type, relationship, or meaning of love is described in A Story of Pomegranate Tree House in what kind of plot in order to show popularity and melodramatic characteristics of this novel, and investigate how the love among post-war younger generation is different from the previous age and what the author attempts to tell through love among post-war younger generation.
  The pomegranate tree house containing contrasting images such as elegance and stylishness and haunted house is a spatial background of this novel and a means of summarizing the destiny of characters vividly and intensively. Young people in this novel are all good. However, the novel follows popular matching plot in which everything is natural and smooth and even beautiful as it is, when good people meet their own Mr. or Miss Right.
  New history of love begins when tragic history of love and hatred of the previous generation is put to an end by younger generation. In this sense, the union of Young-ho and Sun-young follows the suit of the structure of main charactersin existing popular narratives. We can find a heroic aspect in Young-ho who has a new type of ownerconsciousness with willingness for a new life in the end, embracing pains of the previous generation and even the agonies of his generation.
  This novel is filled with delicate psychological descriptions of healthy love or romance of the younger generation in the 1960"s. This theme is clearly shown by popular plot, crossing or identification of space and destiny, and relative romance and matching of a good man and woman, that is, contingency in encounter and destiny of main characters having both ability and beauty, as well as happy-ending after overcoming hardships caused by tragic history in the previous generation.

목차

Ⅰ. 문제 제기
Ⅱ. 공간과 운명의 폐쇄성
Ⅲ. 선악 구도를 넘어선 선남선녀의 차별적 상대성: ‘생명’과 ‘꽃’
Ⅳ. 애증의 이차선 - 새 세대의 희망
Ⅴ. 마무리
참고문헌
〈Abstract〉

키워드

멜로드라마 서사 구성 대중성 공간 운명 세대 사랑 우연성 비극 해피엔딩 melodramatic popularity post-war younger generation spatial background destiny romance happy-ending