李箱의 세계 인식과 시적 대응

• 영문명: Self-consciousness of Others in Sang Lee's Poetry
• 발행기관: 동남어문학회
• 저자명: 이원도(Weon-do Lee)
• 간행물 정보: 『동남어문논집』동남어문논집 제18호, 295~316쪽, 전체 22쪽
• 주제분류: 어문학 > 문학
• 파일형태: PDF
• 발행일자: 2004.12.01

영문 초록

Body in Sang Lee's poetry is an important perceptional object and is a medium of his self-research. And body is a subject mater never treated by his contempories and even by his precursors. Body to him is a physical foundation through which his poetic self accepts external world and makes his surroundings new. We can see his consciousness in which he as a doctor diagnoses himself, looks at another body in the mirror and goes toward compromise and correspondence whitout success. In poetry he ignores grammars intentionally. This means he does not respect literary tradition and history, and he, parodoxically, opens the door to death of a body in an isolated consciousness from reality. Human body is, as Tuan put it, an image of universe and a center of universal frame. Body is a part of concrete universe, a condition to experience external world and an object to the world. In narrator-author's consciousness lineal progression does not exist-his past ends in the past, his present does not proceed to the future and his future means only closure and does not have any continous significance. The death of body denotes total biological close which terminates all human construction. His symmetrical meeting of ordinary-self and idaal-self in the mirror shows his formation of self-socscious world and existential consciousness. This is possible by his body capable of seeing another world rather than by the intellectual construction of his self. In the basis of his poetry, the following images are abundant: adherence to the closed boyhood, isolation of hopeless otherness, ambiguities of eroticism, symbol of physical otherness and self-consciousness within and without the mirror.

목차

Ⅰ. 연구의 목적

Ⅱ. 이상의 정신세계

Ⅲ. 결론

참고문헌

Abstract