한국 근현대문학에 나타난 가족담론의 전개와 그 의미: 현대시

• 영문명: A Study on 'Discourse of Family' In Modern Korean literature: Modern & Contemporary Poems
• 발행기관: 한국언어문학회
• 저자명: 김현자(Kim Hyoun-ja) 엄경희(Um Kyoung-Hee)
• 간행물 정보: 『한국언어문학』한국언어문학 제51집, 459~489쪽, 전체 31쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2003.12.01

영문 초록

Family has been to be defined as an ambivalent organization having both sides of positivity and negativity. The former could have given protection and security to family and the latter could have repressed individuals in family. This study has discussed an archetypal sense of family and symptoms of familial deconstruction by focusing on this ambivalence of family. In history of the Korean modem & contemporary poetry the keyword 'family' has implied a sensitive atmosphere of history and times. Kim So-Worl's poetry have embodied a familial sense in his poetry as he has recognized family as an archetype and root of self-identity, and have succeeded to its sense as an experience of ethic universality. From 1930s to the Korean Liberation, the most poetry of Paik-Soek and Jung Ji-Yong had contained the tragic experience of the loss of family and homeland, and had sought for wishing persistently to revival of the imagination of familial community and the home-paradise. Through the Korean War after the Liberation, family has been emphasized as an existential being. The poetry of Park Mok-Worl and Soe Jung-Joo have not only relieved the familial sense in daily life by their perspectives into common lives but also emphasized familial functions of purgarion, cure, and reproduction. In difference of Kim So-Worl, Back-Soek, Jung Ji-Yong, Park Mok-Worl, and Soe Jung-Joo, Lee-Sang was to be a poet who had expressed an precursive anti-traditional consciousness by denying the pedigree, the family, the fatally given right of the eldest son, the married relationship, and the like. This was to be in gear with the modem consciousness which had supported individualism. Kim Soo-Young's poetry in deep relation with the urban mechanism in industrial society are to be examples that have shown the agitation of patriarchal dominion by having expressed disunited parental portrays. In industrialized society patriarchs have been to be placed in social proletariat, and then their disunion and contradiction in Kim Soo-Young's poetry have related deeply with the principle of exchange value which has been to be a dominant value in this industrialized society. After the midst of 1980s, fathers, as non-ethical, impotent, absent fathers, or disturbers threatening their families, have occupied in the center of the familial discourses. Especially, do-nothing fathers in poetry of Lee Soeng-Bok and Ki Hyoung-Dau have been highlighted as negative beings who have pushed their families into the breakdown. These familial discourses in the Korean modem & contemporary poetry have shown what have been first question and recognition about an existence appeared in the relation between an archetypical function of family and the 'I' having been placed as a member of that family. These question and recognition have very important meanings in terms of having offered a relationship between 'I' and a group, and the existential foundation of them. And, symptoms of familial deconstruction with radical changes of history have asked us what could be a new ideal model of life. The deconstruction has contained both positivity and negativity in terms of which has contained both crisis and possibility of new life. The phenomena in transitional period with familial deconstruction have signified by showing the possibility to be energy in order that poets' sensitive consciousness about the problem of a relationship among family, group and individual, and blood and non-blood as a society and its infra-unity may produce a better structure of life.

목차

1. 머리말

2. 자기 정체성의 원형으로서의 가족

3. 가족 해체의 양상과 의의

4. 맺음말

참고문헌

Abstract