'양(洋)'의 이입과 '향(鄕)'의 발견 - 이태준의「고향」에 나타난 '고향(故鄕)'의 의미를 중심으로 -

• 영문명: Introduction of 'the West(洋)' and discovery of 'the home(鄕)'
• 발행기관: 어문연구학회
• 저자명: 안미영(Ahn mi-young)
• 간행물 정보: 『어문연구』어문연구 제48집, 403~429쪽, 전체 27쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.08.01

영문 초록

The present study examined the meaning of 'home' appearing in modern novels focused on Lee Tae jun's short story 'Home.' In order to understand 'home' appearing in modern novels, we should not overlook the speciality of colonialism characterized by 'the absence of nation' and 'the loss of the native language'. Therefore, we must consider the introduction of 'the West' in order to understand home appearing in modern novels. Because of the geographical condition of our country, the newly adopted term 'Yang (West)' was used as a prefix implying 'Western style' or 'imported from foreign countries,' and became a sign indicating the general nature and use of Western civilization. In the history of modern literature that could not call the name of the country after the Japanese annexation of Korea, writers could not help choosing 'Hyang (Home)' as a term contrary to 'Yang (West).' Many of modern poems are on the theme of 'homeland' and 'nostalgia' and many of modern novels use 'the loss of home' and 'longing for home' as their materials. 'Home' as a central theme of modern novels reminds us of not only self identity (origin, residence) implied by home but also national identity especially under colonialism. In particular, home in modern novels is a physical substance that, in addition to suggesting people (family) and nature at home, displays the standing of 'national language' calling the lost homeland actively. In Lee Tae jun's novels, 'home' realizes language nationalism in that it digests not only the lost homeland at present but also the past 'history and culture' of the nation.

목차

1. 서론

2. '양(洋)'의 이입과 '향(鄕)'에 대한 자각

3. 근대문학에 나타난 '고향(故鄕)'의 의미 : 물리적 실체로서 '가족'과 '고향산천'

4. 고향(故鄕), '민족의 과거'를 소환해 내는 언어 내셔널리즘의 구현

5. 결론

참고문헌

Abstract