<흥보가>에 나타난 극적 갈등의 변이와 의미

• 영문명: The Modifications and Meanings of Dramatic Conflict in Heungbo-ga
• 발행기관: 어문연구학회
• 저자명: 홍순일(Soon-Il Hong)
• 간행물 정보: 『어문연구』어문연구 제48집, 267~299쪽, 전체 33쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2005.08.01

영문 초록

This study deals with dramatic conflict in Heungbo-ga dichronically. This study also discusses Heungbo-ga with a viewpoint of plays. Main texts are Baktaryeong, Shinjaehyo-bon; Heungbo-ga, Kimyeonsu-changbon; and Heungbo-ga, Ojeongsuk-changbon. The results are as follows. First, Ojeongsuk omitted the part of "Nolbo's families' scolding Nolbo" which existed in Shinjaehyo-bon and Kimyeonsu-changbon. As a result, in Ojeongsuk-changbon Heungbo was confronted with Nolbo, focusing on the brothers' problems instead of Nolbo's families' thought. Second, while Heungbo showed hostile recognition saying that baby swallows were innocent in Shinjaehyo-bon, Heungbo and his wife in Kimyeonsu-changbon and Ojeongsuk-changbon had non-hostile recognition saying that baby swallows did not treat poor people badly and had great sympathy toward them. Third, unlike Shinjaehyo, Kimyeonsu and Ojeongsuk switched the roles of the slave girl with Yanggwibi. This focused on Heungbo rather than Yanggwibi, and as a consequence, Nolbo was confronted with Heungbo. Fourth, the general let Nolbo alive in Shinjaehyo-bon, but in Kimyeonsu-changbon and Ojeongsuk-changbon the general killed Nolbo and Heungbo made him alive. Kimyeonsu and Ojeongsuk focused on Nolbo rather than the general, and therefore Nolbo was confronted with Heungbo. Confrontations which realized comic spirit mentioned above changed because the characteristics of Heungbo-ga resolved psychological conflicts by way of social laughter. Shinjaehyo let Nolbo be allowed to live by the general. Kimyeonsu and Ojeongsuk let Nolbo, who was killed by the general be allowed to live by Heungbo's liquor making people alive again. This mediation constructed dramatic irony (Nolbo acted without knowing his life or death) because cultural characteristics of pansori moved to upper classes.

목차

1. 머리말

2. <흥보가>에서 강화된 갈등구조의 내재적 양상과 의미

3. <흥보가>에서 강화된 갈등구조의 외향적 양상과 의미

4. 맺음말

참고문헌

Abstract