The Comparison of Chinese and Korean Realist Movies in the New Era: Takes “Parasite” and “Sheep Without A Shepherd” as an Example

• 영문명: The Comparison of Chinese and Korean Realist Movies in the New Era: Takes “Parasite” and “Sheep Without A Shepherd” as an Example
• 발행기관: 한중경제문화학회
• 저자명: Zhao Yan Zhang Junhui
• 간행물 정보: 『한중경제문화연구』제18권, 139~153쪽, 전체 15쪽
• 주제분류: 경제경영 > 경제학
• 파일형태: PDF
• 발행일자: 2022.02.28

영문 초록

Realistic films have now become an indispensable and important part of the global film genre. Based on the background of humanities and social sciences in China and South Korea, this paper analyzes how the creators of “Parasite” and “Sheep Without A Shepherd” pass through the film plots. The profound reflection of family relations and social contradictions, as well as the role relations and drama contradictions in the family, come to achieve a strong criticism of realism. Through the analysis of the plot setting and lens usage of the two national realism films “Parasite” and “Sheep Without A Shepherd” in China and South Korea, scientific references and suggestions are put forward for the development and re-creation of realism films in China and South Korea.

목차

Ⅰ. Introduction

Ⅱ. The Current Situation of Chinese and Korean Realist Films

Ⅲ. The Critical Characteristics of Chinese and Korean Realist Films

Ⅳ. The Narrative Methods of Chinese and Korean Realist Movies

Ⅴ. The Conclusion

References

키워드

Chinese and Korean Culture Montage Realism Film Social Problem