<메멘토>의 포스트모더니즘으로 제주4‧3과 여순10‧19 기억하기

• 영문명: Remembering Jeju 4‧3 and Yosun 10‧19 with the Post-Modernism of Memento
• 발행기관: 조선대학교 민주평화연구원
• 저자명: 김동복(Kim, Dongbok)
• 간행물 정보: 『민주평화연구』제1권 제2호, 19~41쪽, 전체 23쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2018.12.31

영문 초록

This paper aims to apply a new way of remembering Jeju 4 ‧3 and Yosun 10‧19 with the post-modernism of Memento. So far most scholars discuss whether Jeju 4‧3 and Yosun 10‧19 are a strife or a revolt, which is differently understood according to the ideological propensity conservatives and progressionists pursue. However, the issue of the violation of human rights or the genocide is far from the ideology debate. A film Memento teaches a post-modernism approach to how to interpret such a historical event and site by its retrogressive description. With the help of the thinking method, Jeju 4‧3 opens the controversy over the right name of it, a due resistance, and Yosun 10‧19 means an excessive countermeasure to a local struggle with an intention of building an authoritarian government supported by the US military power. This idea of remembering is concluded to be an interpretation, not just a record.

목차

Ⅰ. 서론

Ⅱ. 영화 <메멘토>의 포스트모더니즘 기억법

Ⅲ. 제주4‧3의 스토리텔링에 역행적 기억법 입히기

Ⅳ. 여순10‧19에 역행적 기억법 적용하기

Ⅳ. 결론

키워드

<메멘토>의 포스트모더니즘 제주43 여순1019 정명논쟁 지방의 저항에 대한 과잉진압 The post-modernism of Memento Jeju 4‧ 3 Yosun 10‧ 19 the controversy over the right name an excessive countermeasure to a relatively smaller struggle