학술논문
하이퍼서사에서 다중서술의 전략과 효과
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- 영문명
- Strategies and Effects of Multiple Narration in Hyperfiction
- 발행기관
- 한국언어문학회
- 저자명
- 장노현(Jang, Nohyun)
- 간행물 정보
- 『한국언어문학』韓國言語文學 第112輯, 199~225쪽, 전체 27쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2020.03.30
6,040원
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국문 초록
영문 초록
This study analyzes the case of multiple narration in hyperfiction works. Hyperfiction is narrative text based on a ‘unit’ and the ‘hyperlink’ that connects it, multiple narration is a narrative technique which two or more narrators participates in storytelling. The works to be analyzed are hyperfictions that were recently created based on the blog platform in Korea. Of these works, ‘God of Others’, created in 2019, is a good representation of the evilness hidden inside of human beings by strategically utilizing the technique of multiple narration.
This study conceptualizes the complex multiple narrative structure of hyperfiction as a multiaxial structural model. The multiaxial structure of hyperfiction is a structure in which there are axes composed of several linearly arranged units, and each unit existing on each axis can be connected to units in other axes. The recent hyperfiction works created in Korea are mostly biaxial or triaxial hyper narratives, while ‘God of Others’ is analyzed as a work with a 7-axis structure.
As ‘God of Others’ is complex in structure, there are many aspects of the narrators. ‘God of Others’ is a story about three Sociopath-like murderers and their surrounding victims. The narratives of the victims are described through external focalization, and the narratives of offenders such as Min Seung, Jun Ho and Yoon Ah are described through internal focalization. The narratives of the victims are conveyed through extremely objective and activist descriptors, and the narratives of the perpetrators through special aspects of the descriptors with limited vision. ‘God of Others’ strategically utilizes multiple narration to escape the solid physicality of modern printing fiction and acquire a changeable body of hyper narrative.
목차
1. 들어가는 말
2. 하이퍼서사의 다축형 위상구조
3. 다중서술의 전략과 서술자의 여러 양상
4. 해체되고 재구성되는 서사구조
5. 마무리
키워드
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