학술논문
南北朝 時代 『古畵品錄』의 회화비평사적 의의
이용수 98
- 영문명
- The significance of art criticism on Guhuapinlu(古畵品錄) in Northern and Southern Dynasties
- 발행기관
- 중앙대학교 중앙사학연구소
- 저자명
- 김연주(Yeon Joo Kim) 김은경(Eun Kyung Kim)
- 간행물 정보
- 『중앙사론』제47집, 59~92쪽, 전체 34쪽
- 주제분류
- 인문학 > 역사학
- 파일형태
- 발행일자
- 2018.06.30
6,880원
구매일시로부터 72시간 이내에 다운로드 가능합니다.
이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
국문 초록
영문 초록
Xie He(謝赫, active around about 490-530) proposed Six principles of Chinese painting by describing Guhuapinlu(古畵品錄), described the criteria of painting creation and the critical point of view by commenting for the work propensity of painter.
Huapin(畵品) is “the piece of work which was directly influenced by the social trend of prevalent character criticism” at that time. Especially, Liupin of Xie He is considered to be “the small edition of 9 Pinfa(九品法) since the era of Han dynasty. Pin(品) has the meaning that the taste is commented, eventually, it reflected the aesthetic taste at that time by showing the systematized, structured aspect since the trend of character criticism influences to the territory of each art of poem, writing and painting, etc.
Xie He’s Guhuapinlu can be divided into the preface part handling Six principles of Chinese painting and the part of Liupin(六品) that applies the criteria of criticism. It is evident Six principles of Chinese painting by Xie He is the principle arranging the aesthetic effect systematically appeared in the criteria of painting creation and the screen that have been applied universally at that time. However, the point of criticism of Xie He is influenced significantly in the point of criticism of Gu Kaizhi (顧愷之). Nevertheless, if Gu Kaizhi focuses on the pursuit of the essence of the objects, namely the pursuit of essence of object, Xie He expanded the point of criticism placing the side dot in the concrete method for the pursuit of essence of object and the pursuit of personality of artist.
In conclusion, Xie He systematized and proposed the principle of painting creation that has been applied universally at that time from the stance of a portrait painter. Also, his Guhuapinlu is meaningful in that he arranged the criteria of painting criticism through this, emphasized the existence of new intent/new meaning that the painter aims as the final purpose, and suggested the view of Aesthetics at that time with the various critic words.
목차
Ⅰ. 序論
Ⅱ. 謝赫의 『古畵品錄』과 ‘品’
Ⅲ. 『古畵品錄』비평관점의 유래 및 적용
Ⅳ. 『古畵品錄』의 회화비평사적 의의
Ⅴ. 結論
참고문헌
Abstract
키워드
해당간행물 수록 논문
- 1930년대 조선형 특수회사,「조선압록강수력발전(주)」의 연구
- 국경(Grenze)에서 접경(Kontaktzone)으로
- 5세기 후반 高句麗·勿吉의 충돌과 북방 接境空間의 변화
- 南北朝 時代 『古畵品錄』의 회화비평사적 의의
- Colonial Encounter with Traditional Social Elite Class in Bengal : Emergence of New Social Classes on the Ruins of the Mughal Empire
- 保甲의 동아시아 : 20세기 전반 대만·만주국·중국의 기층행정조직 재편과 그 의미
- 접경의 문학
- 種族誌와 전쟁동원
- 11세기 중반 宋-거란의 접경 지역을 둘러싼 충돌과 외교 교섭
참고문헌
교보eBook 첫 방문을 환영 합니다!
신규가입 혜택 지급이 완료 되었습니다.
바로 사용 가능한 교보e캐시 1,000원 (유효기간 7일)
지금 바로 교보eBook의 다양한 콘텐츠를 이용해 보세요!