서사문학의 익명성과 개성화에 대한 일고찰

• 영문명: A Study on Anonymity and Individuation of Narrative Literature
• 발행기관: 한국언어문학회
• 저자명: 김창현(Kim Chang hyun)
• 간행물 정보: 『한국언어문학』韓國言語文學 第103輯, 153~180쪽, 전체 28쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2017.12.30

영문 초록

This paper studies the literature sociology of anonymity and Individuation through the narratives that existed in the late Joseon Dynasty, such as Folk tales, Short novels in Chinese letters[Yadam], Fictions, and Pansori. In Folk tales, the narrator, who is a mediator of story telling, has personality, while characters and backgrounds of narrative contents are generally anonymous. This is because the narrator had to stand in front of the audience due to the Presentation method of Folk tale called telling. As a result, the details of the character and the background are changed according to the talent and enthusiasm of the narrator. In Short novels in chinese writing, the writer usually said that he is simply a recorder. But he could not be free from the fun of projecting his own situation and making up his story. The double attitude of this writer was reflected in the character of the work, and in the case of The woman with the sword [Geomnyeo], the anonymity of the main character and the personality of the side character were created. The novelist wrote a work using letters in a space separate from the reader. This makes the novel feel more realistic in character and background than in Folk tales. This is called reinforcement of credibility and probability, and the character has his own name, position and personality. However, the character s personality has a certain limit due to the anonymity of the writer and the popularity of the market, and it has not reached the Individuation of the character, which is the realization of personality in the true sense. In Pansori, it is necessary to pay attention to the professional performer Pansori clown. They are the successors of the entire work and the creator of the ‘Deoneum’. In addition, they are professional artists who must constantly reconsider their product value by performing their work in front of the audience in their own name. Nevertheless, unlike modern fiction writers, they rarely have to take full responsibility for the whole work, and this has become the basis on which they can freely interact with the audience and create more individualized characters. The development of Modern novel is mostly related to the birth of the writer. Modern novels without a writer s consciousness are no better than Folk tales or Yadam. On the other hand, the author s authority can make the reader passive. When passive readers and marketplace unity combine, novels are forced to become popular. Therefore, the way of Modern novel now will be to overcome the anonymity of the reader while preserving the writer s consciousness.

목차

1. 서: 익명성, 실명성, 개성화

2. 설화: 구연자의실명성과인물의익명성

3. 한문단편: 작가와 인물의 양면성

4. 고소설: 작가의 익명성과 인물의 실명성

5.판소리:복합적연행자,인물의실명성과개성화

6. 결: 서사의 자유로운 비행을 위하여

<참고문헌>

키워드

익명성 개성화 실명성(實名性) [검녀] 설화 판소리 근대소설 독자 작가 Anonymity Individuation Personality The Woman with the sword[Geomnyeo] Folk tales Pansori Modern novel Reader Writer