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平安朝文学における桃·梨のイメージ

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영문명
Images of Peaches and Pears in Heian Literature
발행기관
일본어문학회
저자명
윤승민(Yoon Seong Min)(尹勝玟)
간행물 정보
『일본어문학』日本語文學 第79輯, 229~248쪽, 전체 20쪽
주제분류
어문학 > 일본어와문학
파일형태
PDF
발행일자
2017.11.30
5,200

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1:1 문의
논문 표지

국문 초록

中国文化の影響によって伝来された桃と梨は、平安朝文学のなかでは中国文学におけるその位相が認められず、むしろ冷遇され、低い存在意義を示す。桃は主に呪力の象徴として、そして梨は発音の問題と絡んで詠まれており、花自体は魅力に欠けたものとして認識されていた。こうした傾向のなか、一般の和歌の世界ではあまり詠まれていない桃と梨の花を対象とした歌が『紫式部集』に収録されている。 紫式部はその花の美しさを強調し、それを通し、夫宣孝との円満な夫婦関係を語っている。 紫式部がこうした歌を詠むようになったのは、桃や梨の花を最良の美を表わすために用いた漢詩の知識に加え、落花の風情などを重視する和歌の世界の伝統を生かせた結果であろう。紫式部はこの一連の歌を通し、桃と梨の花に新たな美を発見しようと試みたのであり、それが最も評価できる点であると思われる。

영문 초록

Peaches and pears inherited by the influence of Chinese culture were not as much as recognized in the Heian Dynasty literature, rather they were cold-felt and shown low significance compared to their presence in the Chinese literature. Peaches were mainly symbolized as spells, and pears were entwined with its problems with the pronunciation, and their flowers themselves were treated as lacking in appeal. Within these trends, songs targeting flowers of peaches and pears that are not so much recited in the general Waka world are recorded in MurasakiShikibuShū(Murasaki Shikibu Waka Collection). Murasaki Shikibu emphasizes on the beauty of the flower and, through it, talks about a loving husband-and-wife relationship between her husband, Nobutaka. She was able to recite these songs for the following reasons. In addition to the knowledge of Chinese poetry used to express the beauty of peaches and pears to represent its utmost beauty, it is the result of making use of the world tradition of waka that emphasizes the nature of falling flowers. Through the series of songs, Murasaki Shikibu tried to discover new beauty in the peach and pear flowers, which seems to be the most valuable point.

목차

일어요약
1. はじめに
2. 中国文学の受容と変容
3. 古典文学のなかにみられる桃と梨
4. 『紫式部集』にみられる桃と梨
5. 終わりに
参考文献
Abstract

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APA

윤승민(Yoon Seong Min)(尹勝玟). (2017).平安朝文学における桃·梨のイメージ. 일본어문학, 79 , 229-248

MLA

윤승민(Yoon Seong Min)(尹勝玟). "平安朝文学における桃·梨のイメージ." 일본어문학, 79.(2017): 229-248

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