D. H. 황의 『옐로우 페이스』에 나타난 아시아계 여성 재현의 변화

• 영문명: D. H. Hwang’s Changes in Representations of Asian Women in Yellow Face
• 발행기관: 한국영미어문학회
• 저자명: 윤지혜(Yoon Ji hye)
• 간행물 정보: 『영미어문학』영미어문학 제123호, 159~172쪽, 전체 14쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2016.12.30

영문 초록

This paper examines D. H. Hwang’s changes in representations of Asian women and his search for subjectivity as a minor writer in Yellow Face (2007). Face Value (1993), which was his second Broadway production, turned out to be a great failure. Hwang blames a woman for his involvement in the Yellow Face casting controversy on the production of Miss Saigon. Therefore, he represents her as a stereotype of Asian women, a femme fatale, like the Dragon Lady in Face Value. However, its failure offered the inspiration for his Obie Award-winning Yellow Face, so the play is no longer a failure. The factors that caused the success of Yellow Face were the changes in representations of women from the Dragon Lady to real women with strong subjectivities as Asian Americans; and, what is more, he appropriates their subversive power of sexual politics through becoming a minor writer.

목차

Abstract

1. 서론

2. 『페이스 밸류』와 『옐로우 페이스』의 아시아계 여성 재현 비교

3. 결론

인용문헌

키워드

데이비드 헨리 황 『옐로우 페이스』 『페이스 밸류』 아시아계 여성 소수작가 되기 주체성 David Henry Hwang Yellow Face Face Value becoming Asian Women subjectivity a minor writer