마르잔 사트라피의 『페르세폴리스』에 나타난 시각적 서사성

• 영문명: Visual Narrativity in Marjane Satrapi’s Persepolis
• 발행기관: 한국영미어문학회
• 저자명: 류현주(Hyun ju Ryu)
• 간행물 정보: 『영미어문학』영미어문학 제123호, 43~58쪽, 전체 16쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2016.12.30

영문 초록

This research addresses visual narrativity in the case of Marjane Satrapi’s graphic novel, Persepolis. This novel is an autobiographical memoir about the Iranian-born author’s childhood and early 20s and a new form of literature ‘depicting’ a story with both image and text together, ‘visual narrativity’. In narrative studies visual narrativity refers to written images in traditional text-based novels and narrativity of visual images in paintings. Significantly, graphic novels combine these two aspects of visuality and narrativity. What matters in Satrapi’s artistic world is not its genre style but the storytelling medium as she ‘writes’ images and ‘draws’ a text. Moreover, this unconventional novel offers the pleasure of ‘reading’ the story as it ‘depicts’ Marji’s outcry for freedom and independence. In other words, the novel’s artistic and functional, visual narrativity is conducive for reader identification: Satrapi’s signature hand drawings in black & white and episodic structure as well as her compelling storytelling sprinkled with a good sense of humor. In summary, graphic novels help readers and scholars to transcend the boundary of novels, paintings, comics and revisit their natural process of appreciating narratives, “painting a picture,” literally and figuratively.

목차

Abstract

1. 서론

2. 본론

3. 결론

인용문헌

키워드

그래픽 소설 사트라피 『페르세폴리스』 시각적 서사성 만화 graphic novels Satrapi Persepolis visual narrativity comics