관객반응을 위한 셰익스피어의 실험적 기법:「트로일러스와 크레시다」 를 중심으로

• 영문명: Shakespeare’s Audience Response Technique in Troilus and Cressida.
• 발행기관: 한국영미어문학회
• 저자명: 남현숙(Hyun Sook Nam)
• 간행물 정보: 『영미어문학』영미어문학 제118호, 181~202쪽, 전체 22쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2015.09.30

영문 초록

This study aims to show that the ambivalent response felt by the audience of the Troilus and Cressida was a purposeful effect achieved by Shakespeare’s dramatic technique. The play is a story interwoven with love and war plots which produces a continual alternation between narrative stasis and narrative movement. And the story consists of the contradictory behavior of the characters, a static narrative, anticlimax, and the unresolved ending. Shakespeare manipulates audience response to the various characters and events using the degenerative theory. The response of the audience is created by various dramatic techniques which create a movement in the play that alternately attracts and repels the audience. The playwright achieves a detachment by the technique of inflation and deflation. Expectations are aroused and lowered between scenes; expectations of character are inflated by descriptions by other characters and then deflated by actual portrayals. The play dose not permit its audience to become emotionally involved to any extent. Thus Shakespeare keeps the audience concerned with the puzzle which the play entails after the play ends. So this play may be called an aspect of life. It deals with two all important facets of civilization: love and war. The playwright may tell us that the play is not resolved because these problems are never resolved and human cruelty, self-deception and lust go on through the generations.

목차

1

2

3

4

키워드

Shakespeare Troilus and Cressida audience response degenerative theory inflation and deflation of expectation contradiction paradox irony anti-climax open-ended structure 셰익스피어 :「트로일러스와 크레시다」 관객 반응 수축이론 기대감의 팽창과 수축 모순 역설 아이러니 앤티클라이맥스 열린 결말