장양(張揚)의 로드무비에서 나타나는 여정과 현실의 간극 고찰

• 발행기관: 대한중국학회
• 저자명: 박춘식
• 간행물 정보: 『중국학(구중국어문론집)』中國學 第45輯, 183~206쪽, 전체 24쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2013.08.31

영문 초록

This writing had research subject as Zhang Yang's movies titled (2007) and (2012). Two pieces of movies are roughly distinguished from the existing movies in a sense of having commercially consumed a social issue, which is caused by migrant workers and aging, with the use of road-movie genre. This study was progressed a research with paying attention to this point. First, it considered the process that socially underprivileged people such as migrant workers proceed with being included in the mainstream narrative. It clarified that the combination of road movie and comedy is proceeding with solidifying position as one new trend while illuminating the process that migrant workers, who had been addressed realistically, are divided into a character of comedy and are again mixed with road movie. Second, a gap could be confirmed to be created between journey and reality shown in a movie due to the combination of road movie and comedy. And it examined how socially underprivileged people were commercially played a variation to be applied. At the same time, it could confirm that there is reality outside journey in a sense that therapy of being mobilized by family love is proposed as solution rather than complaining about and reflecting on reality with which socially underprivileged people are faced.

목차

1. 들어가는 말

2. 장양의 로드무비

3. 여정과 현실의 간극

4. 나오는 말

〔참고문헌〕

〈Abstract〉

키워드

Zhang Yang Road Movie Journey Reality Getting Home Full Circle