할리우드의 아시아 타자 묘사의 복합화

• 영문명: Complexity in Asian Othering in Black Rain and Mr. Baseball
• 발행기관: 한국영미문학교육학회
• 저자명: 황준호(Joon Ho Hwang)
• 간행물 정보: 『영미문학교육』영미문학교육 제15집 2호, 345~374쪽, 전체 30쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2011.12.31

영문 초록

Although their release dates trace back to the early post-Cold War era, Black Rain (1989) and Mr. Baseball (1992) still serve as noteworthy examples of complicating the traditional dichotomy of “us” and “them.” A traditionally stereotyped Japan still can hardly be missed; nevertheless, the Japanese protagonists are no longer those who work in the shadows of the white heroes in old-fashioned Hollywood films located in Asia. Given that they are all human beings with universal weaknesses, the Japanese demonstrate moral superiority and professional work ethic that enhance a mutual understanding and crucial cooperation with the white protagonists of the two films. While examining the significance of the positive portrayals of the Japanese as a slow and ongoing process of lessening Westerners’ prejudice against East Asians, this essay argues that the traditional dichotomy in Hollywood films between the U.S. and Asia is not so much demolished or deconstructed as readjusted under the newly formed socio-economic circumstances of U.S. hegemony in the late 1980s and the early 1990s.

목차

Ⅰ. 우리에게 ‘우리’ 처럼 보이는 할리우드의 ‘그들’

Ⅱ. 할리우드의 ‘그들’ 묘사의 새롭고도 진부한 단면

Ⅲ. 타자의 땅에서의 ‘우리’와 ‘그들’

Ⅳ. 경계의 와해와 재조정

인용문헌

Abstract

키워드

<블랙 레인> <미스터 베이스볼> 오리엔탈리즘 냉전 타자 일본 아시아 Black Rain Mr. Baseball Orientalism the Cold War Others Japan Asia