이청준 판소리동화에 나타난 판소리의 변형과 보존 양상

• 영문명: Transformation and preservation of the Pansori in Lee Cheong-jun's Pansori fairy tales
• 발행기관: 한국언어문학회
• 저자명: 이주미(Lee, Joo-mi)
• 간행물 정보: 『한국언어문학』韓國言語文學 第78輯, 441~460쪽, 전체 20쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2011.09.30

영문 초록

Lee Cheong-jun had oneself independent literary world. He adopted the organization of narrative called ‘Stratified structure’. But He recreated Pansori into a fairy tale in the mid-1990s. Fairy tale consists of simple plot, simple character and concise sentences. Therefore he gave up his literary personality to write the Pansori fairy tales. He were trying to pass on literary tradition through the Pansori fairy tales. But Lee Cheong-jun’s Pansori fairy tales did not preserve the tradition intact because he made reference a block book of Sinjaehyo. He adapted a block book of Sinjaehyo to match Child’s identity. He has enhanced tragic aesthetic to emphasize the subject in 〈Singcheong-ga〉 and 〈Chunhyang-ga〉. Also, he was removed a critical consciousness about social in 〈Sugung-ga〉. Nevertheless, Lee Cheong-jun’s Pansori fairy tales are an important value because realistic hope was realized by using fantasy. In 〈Heungbu-ga〉 〈Onggojip-taryeong〉, a punishment is a prerequisite of enlightenment. In other words, a fantasy is a prerequisite of initiation.

목차

1. 들어가는 말

2. 구성의 단순화와 표현의 순화

3. 비판 유보와 미담 강조

4. 판타지와 이니시에이션의 활용

5. 맺는 말

〈참고문헌〉

[Abstract]

키워드

변형 판소리동화 신재효본 어린이의정체성 판타지 이니시에이션 transformation Pansori fairy tales a block book of Sinjaehyo child’s identity fantasy initiation